The embroidery artist Ana Teresa Barboza, previously featured here for her arresting renditions of the human body, is at it again with her series of intricate, deconstructed landscapes. Turning her gaze outwards towards the vastness of the natural world, she celebrates the materiality of her craft, allowing her thread to spill from the boundaries of the embroidery hoop like wild nets wrenched from a tumultuous sea. Here, calm seascapes, serene pastures, and chaotic, rocky waves adopt the same sense of inexhaustibility, refusing to commit solely to embroidery and extending into the realm of the sculptural.
In this series, titled “Suspension,” Barboza’s medium mirrors her content. Like the art and craft of embroidery itself, her visual narratives are composed of iconography historically associated with the female: nature’s rolling hills, curved waves, and fluid, moonlit water. As her pieces unravel, they express something powerful and inevitable in female desire and spirit. No longer contained by the neat frame of the traditional hoop, exuberant colors and textures spring forth from a two dimensional realm into three, interrupting the comfortable barriers that normally exist between art object and viewer. These labors of love are not meant for pillows; instead, they proudly hang on a gallery wall.
Each of Barboza’s suspensions evoke folktales like those of mermaids, selkies, or sirens, woman creatures of the sea who are as frightful as they are alluring. We are presented with delicate illusions, mirages of landscapes, only to witness their dissolution into thick, tactile thread that invites our incredulous touch. Take a look. (via Colossal)