Marco Mazzoni’s work softly drips with an exquisite ease of darkness. From blooming faces where birds gather to a rabbit draining with butterfly wings, each image surrealistically depicts folklore infused with spiritual healing properties that twist and twirl with our own imaginative connections to nature.
To elaborate, Jonathan Levine Gallery notes, “Mazzoni’s imagery references herbalist traditions and Sardinian folklore of mystical seductresses who enchant, curse and cure. His body of work is a tribute to the legacy of female healers throughout history. These women held an important role in medieval communities yet their ancient knowledge of the natural healing properties of medicinal plants was widely feared by the Church, viewed as witchcraft and cause for persecution.”
Brooklyn based SVA grad Ran Hwang makes these huge, flowing sculptures with nothing but beads and pins! The uplifting, spiritual elements involved here work really well with the light, dispersed beads. You can almost see the birds’ wings flapping, and everything seems sort of frozen in time at some climactic, freeing moment. Obviously the Zen influence is deliberate. From the artist’s website: “The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen.” I guess patience does pay off. (via)
Agua Sagrada is the title of this series of photographs by Columbia-educated James Pomerantz. The photos were taken in Mexico at a cenote, which is a water-filled sinkhole, found mostly in the Yucatan, that the Mayans believed to be portals to another world. Today these cenotes are tourist destinations, though the otherworldly Mayan connotations are still plainly evident in their haunting, ethereal appearance.
More photos after the jump, but check out Pomerantz’s site for some other beautiful sets, mostly of poverty or tragedy-stricken places like Eastern Europe and the Congo.