This isn’t the first time anyone’s ever used long exposure photography to make compositions with light, but Jasper Geenhuizen (Netherlands) is doing some of the best I’ve seen. Strong colors, and perfect set up and location. This is how you do it right. There’s no gimmick to these either- I would dig these pictures with or without the light work. They emit a damp, nocturnal atmosphere that’s not easy to reproduce. In Geenhuizen’s words, “Everybody can make light graffiti, but it is truly art to be able to combine the light with the place.” Hope to see much more from this guy going forward.
Brooklynite Gallery has been on some sort of weird hiatus for a while, apparently to focus on making arts related films. Well, they do make good shorts. This is one from a while back when they had an exhibition from collage artist DAIN. So there’s this unassuming elderly guy, right? Well he happens to be a fairly prolific street artist who makes collage work out of portrait photography. Just watch the video. And the next time you find yourself in a discussion lamenting what “Street Art” has become, remember DAIN, who pastes work on the street because it’s as natural to him as breathing. To him, it’s not about money or cool factor, this is just something that gives him a lot of satisfaction. Dude knows what it’s all about.
Brooklyn artist Leon Reid IV (in collaboration with Poster Boy) is the man behind the “Hot Off the Press” Showpaper distribution box (pictured above), a functional newspaper box that melts into the pavement outside Printed Matter in NYC. Reid, who creates humorous, public installations that have been placed in cities all over the world, is apparently trying to put a giant spider on the Brooklyn Bridge now? Whether he’s manipulating elements already in existence (like the George Washington statue in Union Square Park) or introducing new material onto the street, Reid always brings sharp social commentary with a strong visual punch. While you wait for the spider, check out some of Reid’s past projects after the jump.
Based in Paris, Mademoiselle Maurice creates colorful installations on the street by conglomerating a bunch of origami. A lot of “street artists” love to talk about how important the ephemeral nature of their work is. Well Mlle. Maurice’s delicate origami doesn’t look like it will last long in its original state. But somehow these works seem really natural in their setting, like a growth of delicate lichen on the shadowed side of a rock. It’s almost as if they appeared on their own. Be sure to check out her website for many more images and projects. (via)
Chinese street artist DALeast studied sculpture at the Institute of Fine Arts and began doing art on public space at 2004 under the alias DAL. He is inspired by the way the material world revolves, how the spiritual world unfolds, life’s emotions and the infinite space around us. His massive murals resemble thousands of strands of yarn or thread that are continuously unraveling and coming together to create incredible sweeping imagery. (via)
Hailing from Valencia, Spain, Vinz Feel Free’s large scale wheat paste street art installations where nude women’s heads are replaced with bird heads and the heads of business men are altered to look like reptiles.
“Birds and naked people are extracted from the book of Genesis in the Bible. Mayas, Aztechs, Sumerians etc. talk about the figure of reptile as the animals which take control over us, like police in our world. And the frog appears in Apocalypse scenes and is responsible for Humanity disasters. This is why I use them to build men in suit characters.” (via)
Street artist EPOS 257 built himself a giant paint cannon and decided to liberate some billboards. This thing looks like it could cause a lot of damage and be a lot of fun. EPOS 257 says about this project “this is not an attack on a particular advert but billboard as a medium in general, which in this context represents a painter`s canvas in the urban landscape.” More paint cannon fun after the jump! (via)
If you’re in the Los Angeles area you still have time to check out Barry McGee’s show up at Prism until June 30th. As usual with all of McGee’s shows his latest offering features dynamic installations that cover every corner of Prism’s massive gallery space. With this new body of work you’ll notice a greater transition towards the abstract and patterning with only moments of his signature graffiti references and typography. Could this be signs of an evolution out of the street iconography that McGee built his career on? I doubt it but the new evolution is quite nice nonetheless.