In his latest series of drawings, Anthony Coicolea poetically engages with the term “pathetic fallacy” or our own egocentric inclination to prescribe human characteristics or qualities to all living things. His imagery, done beautifully with simple graphite on layered mylar, allows worlds to overflow with new pattens of transcendence despite an archaic old world order.
Of this series, the artist statement suggests, “In a new hybridized world of man and nature, nothing is permanent and nothing is safe. Humans, plants and animals have cross-pollinated; they have merged, evolved and adopted different features from each other. Objects acquire pathos and empathy while the decomposition of material things reflects the world in flux.
Marco Mazzoni’s work softly drips with an exquisite ease of darkness. From blooming faces where birds gather to a rabbit draining with butterfly wings, each image surrealistically depicts folklore infused with spiritual healing properties that twist and twirl with our own imaginative connections to nature.
To elaborate, Jonathan Levine Gallery notes, “Mazzoni’s imagery references herbalist traditions and Sardinian folklore of mystical seductresses who enchant, curse and cure. His body of work is a tribute to the legacy of female healers throughout history. These women held an important role in medieval communities yet their ancient knowledge of the natural healing properties of medicinal plants was widely feared by the Church, viewed as witchcraft and cause for persecution.”
Argentinian artist Gerardo Feldstein and his absurd sur/realist sculptures recontextualize the way we think about space and the body’s movement within that space. Some of his work features anthropomorphized figures, an exaggerated body part (arms, legs, heart), or he places his sculpted figures into a landscape or susceptible position. His figures encompass a narrative of power and humor, and the role that our perspective plays in relation to these concepts. Some of his mixed media sculptures emit a vulnerability that, though expressed through this absurd medium, feels relatable and almost empathetic.
Kyle Thompson is the artist behind these haunting photographs. His image are darkly surreal, seemingly caught in the middle of a or sinister or tragic situation. An autumnal palette adds a slight chill to each scene. What may be most surprising about the work, though, is its creator. Thompson’s biography states that he’s only been photographing work since he was 19 years old – the young photographer is now only 21! Further, Thompson is a self-taught artist with no formal training.
The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it. Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless. Yet, somehow, it all seems right. Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety. A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.
Young Hungarian photographer Noell Oszvald creates elegantly surreal images. Her black and white photographs resemble mid-century fashion photography as much as it does the work of her surrealist influences. Severe contrasts between light and dark create graceful lines and a definite composition for each piece. In this way each image is intriguing, not only for its dreamy content but also because they are simply pleasing to look at. Perhaps what is most surprising, though, is the fact Oszvald’s relationship with the camera is relatively new. Only twenty-two years old Oszvald has only been using the medium for a little over a year. [via]
Chris Mars packs his compositions with awesome texture and gruesome characters. With Todd Schorr levels of craftsmanship and imagination, these paintings warrant long viewing sessions. But good luck spending any extended amount of time among them without getting sufficiently creeped out. A lot more images at the artist’s website, which also features a soundtrack and in-depth writing from Mars on his sources of inspiration.
Kentucky-based Robert Beatty broke out with his cover design, and interior contributions, for the 8th installment of the esteemed Kramers Ergot comics anthology. And this foray was furthered with his recent sequential contribution to Space Face Book’s Rat Hex. His work is surreal. It’s funky. It’s creepy, and strangely erotic at times. It is often rendered with a soft fuzz and a hard edge, which is present in his most distinct work. It fits perfectly into the fields of poster and album design, and looks like a strange relative of the classic Fillmore posters. He also makes music, twittles, and flicks. Watch out.