Kyle Thompson is the artist behind these haunting photographs. His image are darkly surreal, seemingly caught in the middle of a or sinister or tragic situation. An autumnal palette adds a slight chill to each scene. What may be most surprising about the work, though, is its creator. Thompson’s biography states that he’s only been photographing work since he was 19 years old – the young photographer is now only 21! Further, Thompson is a self-taught artist with no formal training.
The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it. Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless. Yet, somehow, it all seems right. Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety. A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.
Young Hungarian photographer Noell Oszvald creates elegantly surreal images. Her black and white photographs resemble mid-century fashion photography as much as it does the work of her surrealist influences. Severe contrasts between light and dark create graceful lines and a definite composition for each piece. In this way each image is intriguing, not only for its dreamy content but also because they are simply pleasing to look at. Perhaps what is most surprising, though, is the fact Oszvald’s relationship with the camera is relatively new. Only twenty-two years old Oszvald has only been using the medium for a little over a year. [via]
Chris Mars packs his compositions with awesome texture and gruesome characters. With Todd Schorr levels of craftsmanship and imagination, these paintings warrant long viewing sessions. But good luck spending any extended amount of time among them without getting sufficiently creeped out. A lot more images at the artist’s website, which also features a soundtrack and in-depth writing from Mars on his sources of inspiration.
Kentucky-based Robert Beatty broke out with his cover design, and interior contributions, for the 8th installment of the esteemed Kramers Ergot comics anthology. And this foray was furthered with his recent sequential contribution to Space Face Book’s Rat Hex. His work is surreal. It’s funky. It’s creepy, and strangely erotic at times. It is often rendered with a soft fuzz and a hard edge, which is present in his most distinct work. It fits perfectly into the fields of poster and album design, and looks like a strange relative of the classic Fillmore posters. He also makes music, twittles, and flicks. Watch out.
Antwerp-based Sam Vanallemeersch has that rare ability to work in two distinct styles that feed and grow off of each other’s strengths. His one style, full of nuanced detail and dense atmospheres, can entertain the eye endlessly. His other style, which relies on simplified forms that tend to become entangled in a puzzle piece manner is equally as effective. Consistent throughout is an accessible body of work that retains all integrity no matter what approach he takes. His unstoppable production is the reason he has two separate websites packed to the gills, here and there. Jaw-droops.
Self-described daughter of an eccentric mechanical engineer and a stiff-upper-lipped British nurse, Canadian artist Bonni Reid specializes in exploring the spaces between worlds through her works. The Vancouver-based painter mixes together dapper gents and lovely ladies of old with exposed – and sometimes floral – anatomy, surreal landscapes, and a bit of humor at times. Her well-crafted curiosities have been shown in Los Angeles’ La Luz De Jesus Gallery, Roq La Rue Gallery in Seattle, and several spaces in Canada, among others. Take a closer look at her work after the jump.
Dutch photographer Teun Hock’s photographs are clever, eye-catching, and surreal. Consistently using himself to convey a peculiar character, he depicts a middle-aged man who is perpetually trapped in self-depreciating and humorous situations. He is stuck in the middle of an ice floe while his bag, hat, and umbrella are carried away on separate pieces; he hangs from a swinging chandelier; he is blindfolded and wearing a birthday hat while walking on the moon, and using a ladder to measure the night sky.
His process is very labor intensive and his work extends far beyond the traditional boundaries of photography. As explained by the artist:
“…There’s a big backdrop that I paint or build, or whatever’s needed, and I stand in the middle of that. Then I take a picture of myself in black and white and enlarge it. I do it myself in the darkroom with a little bit of help. Then I tone the picture sepia. And later I add oil paint. I color everything, but it’s transparent, so that you can see the picture underneath.”
In addition to his work in photography, he was commissioned to design and paint stained glass windows for the Grote Kerk of Dorecht, a medieval church located in the Netherlands.