Chinn Wang creates an eye-catching brand of pop art. Primarily working in screenprinting, she’s executed these piece directly on wood. The work retains a charming flatness associated with screen printing while adding depth by printing on wood. Her mix of new and old imagery and contrasting colors makes her art hard to pull away from. Her Heraldry series is an excellent example. Just as medieval heraldry made use of complex symbolism, Wang crests likewise make use of modern imagery.
These aren’t your typical vinyl records. Actually, they’re not vinyl at all. Amanda Ghassaei seems to have perfectly situated herself between being a scientist and artist. This project illustrates that well. For it Ghassaei uses a laser to burn grooves into a variety of materials such as wood, acrylic, and paper. The grooves are about two times larger than they would be on a regular record. However, these DIY records are still entirely playable. Check out the video after the jump to see her laser-cut records in action.
Aron Demetz‘ newest work shows him to be extremely adept at sculpting in wood. His figures seem stand atop stumps, perfectly carved from tree trunks. However, their sanded smooth skin is in stark contrast to parts of their figure that seem mutilated and mangled. While the figures’ faces are peacefully inexpressive, there is an underlying violence to the sculptures. The bare wood of the pedestals hint at the natural world and the sculptures at human’s often turbulent interaction with it. [via]
The work of Korean artist Cha Jong-Rye looks like anything but wood. Her large pieces hang on the wall as if they were draped cloth, strange liquids, and geological formations. Her peculiar choice of medium undoubtedly references these and other ideas of nature and the home. She painstakingly carves her work from wood, often from hundreds of small pieces. She seems to crumple, pinch, and pull a material that’s especially rigid, typically found as a tree or house. They’re temptingly tactile – if no one in the gallery noticed I’d nearly be enticed to drag my fingers across their surface. [via]
These are amazing. Duramen is a series of wooden sculptures depicting melted picture frames from French design collective Bonsoir Paris. The level of craftsmanship with these handmade works (sculpted by Adrien Coroller) is tops. The dynamic in play between the fine wood used and the decaying, deathly manner in which it is presented nicely illustrates how even the most supple, healthy aspects of life can easily fall from grace. The picture frame reference is a nice touch, forcing us to call into question our very perception and take into account its tendency to directly affect the practical world. Bonsoir Paris, founded by Morgan Maccari and Remy Clemente, has only been around since 2010, but if they continue to push forward in a direction that allows for the production of more work of this quality, they should do fine. (via)
I first got into Zach Johnsen’s work a few years ago when he lived in New York. But for a while now, he’s been in Portland, and it looks like he’s making his raddest stuff yet. He always incorporated fantastic characters into his mixed media work, and he’s continued to do so, creating more wooden cut-out installations and a series of graphite drawings infused with explosive watercolor elements. Johnsen’s always done a great job of rendering the darker side of life. His characters are full of dark eyes and yellowing teeth. Seriously awesome stuff from this dude, always.
Olga Ziemska’s artistic statement appears as a poem on her website. And one of her lines, “The body is nothing without that which surrounds it” is especially important when it comes to art. The Ohio based sculptor has been refocusing her energy into fully serving it too – seeing as how most of her work in the last couple years has involved outdoor installations, which can incorporate a lot more people encompassing them than the few invited into collector’s homes. However, what I like most about her recent work, other than its ability to be shared, is that it’s made up of mainly organic materials sourced from nature. (via)
Jason Middlebrook‘s work incorporates lines onto wood planks found in New York State, as the artist forms abstract ‘landscape’ painting that play with colour. The artist’s painterly abstracted forms create a hypnotic quality to the work, as the ordered lines subvert patterns of trees to seek a re-engagement in our relationship with nature itself.