AJ Fosik is the mastermind behind these insanely colorful wood sculptures that seem to be part-alien, part-folk tale monster. For some reason, these creatures remind me of a demented “It’s A Small World”–like some of Seth Adelsberger’s work in 3D form.
Brooklyn-based photographer Ji Yeo creates Somewhere on the Path, I See You, a project in which the photographer captures two different types of women: one with extreme self-regulation and distorted notions of beauty that suffer from eating disorders, and the other women are aspiring actresses and models living in Hollywood, California, who are interested in the process of being represented because they carry dreams of fame.
By carefully selecting various body and personality types ,Yeo creates a sample of photos (and people) that further examine larger societal issues regarding ideas of beauty, self-definition, and self-respect.
By forcing viewers to confront images of women who by definition had been judged continuously by themselves, it brought focus to the viewers natural impulse to judge. In doing so it implicates them in the complex relationship we have with making aesthetic judgments.
In collaboration with the Vatican, a coalition of artists and humanitarians from the documentary Racing Extinction projected a stunning light show on the edifice of St. Peter’s Basilica. The videos display endangered animals and ecological crises from around the word, including whales, pandas, imperilled rainforests, and melting icebergs. As pointed out on My Modern Met, this demonstration follows a letter released from Pope Francis that makes clear the role humans play in the destruction of natural environments and non-human species. The goal of the light show was to foster awareness from the public, and on a political level, to encourage other influential figures and world leaders to acknowledge the loss and devastation.
Helmed by Oscar-winner Louie Psihoyos (director of The Cove), Racing Extinction features never-before-seen images that explore endangered species and the threat of mass extinction. Much like the light show—which is part of an ongoing (and vital) campaign to provoke action—Racing Extinction seeks to change the way we view the planet and the global beauty and vitality we will lose in the pursuit of our unsustainable practices. Such projects remind us that no matter where we are situated, even in our urban, human-centered habitats, we are always responsible and capable of changing the world’s grim outlook. (Via My Modern Met)
Everyones favorite chocolate wizards Lindt has just opened its newest – and highest shop (3,466 meters /11,371ft above sea level) on top of the Jungfraujoch on the Aletsch glacier, against the backdrop of the Bernese Alps!
What started as a friendly banter on Twitter between athletes turned quickly into the ultimate challenge when Swiss pro tennis player Roger Federer invited American World Cup Alpine Skier Lindsey Vonn to a game of tennis atop the Alps to celebrate the launch of the new Lindt shop. The winner would of course get the best prize of all, a stash of tasty Lindt chocolate to be eaten in one of the most spectacular places on earth! Watch the video and get ready to be introduced to the ultimate Chocolate Heaven!
I’m loving these carved magazines by artist Nate Page . Page uses methods of drawing and assemblage to create these paper landscapes. It’s such a simple and powerful idea! I’m a big fan of this series, but some here at Beautiful/Decay think it looks like “bad sand art…” but I’d have to disagree, at the very least it’s ‘cool’ sand art.
Yes it’s true. We have so many talented artists that subscribe to B/D. Everyday I get to see new work by amazing artists who not only support B/D but contribute to our little creative community. Want proof? Check out the work of Fionn McCabe. Fionn creates mindblowing layered graphics that will have your eyeballs darting side to side. keep up the good work Fionn and welcome to the Cult Of Decay!
Polish pixel wizard Adam Martinakis’ digital illustrations are out of this world. I can’t figure out if these started as photographs, elaborate sets, or live completely within the computer but they are impressive nevertheless.(via vectro ave)
I usually don’t really get down with designers who nostalgically embrace the bad/vernacular design of their 80s/90s youths, but I have to admit that I’m liking this stuff by Tabor Robak. If I had to try to describe his aesthetic, I’d probably say it’s the visual equivalent of a guitar solo. Maybe a guitar solo while wearing sunglasses, on a huge arena stage with a ton of pyrotechnics.