Alexander Kostinskyi is a photographer hailing from Kyiv, Ukraine. His work is chilly, sparse and sometimes a bit strange. Some of his images give me the heebie-jeebies while others make me smile, all while retaining his natural untouched style.
Check out Alexander’s flickr, and hit the jump to see more.
Rose-Lynn Fisher – whose anatomical bee photographs we have previously featured – has recently completed a series of images she calls “The Topography of Tears” that represent a study of 100 types of tears photographed through a microscope. During a difficult time that yielded a copious amount of tears, Fisher began to wonder if her grief tears looked the same as onion tears when viewed under a microscope. Using her own and others’ tears, Fisher was able to create a varied landscape of tear structures, demonstrating the diversity to be found within tear types. Fisher’s images almost resemble aerial views, these tear structures fractally resonating with larger scale structures found in the world.
Fisher says, “Tears are the medium of our most primal language in moments as unrelenting as death, as basic as hunger, and as complex as a rite of passage. They are the evidence of our inner life overflowing its boundaries, spilling over into consciousness. Wordless and spontaneous, they release us to the possibility of realignment, reunion, catharsis: shedding tears, shedding old skin. It’s as though each one of our tears carries a microcosm of the collective human experience, like one drop of an ocean.” (via smithsonian mag)
The incredibly multifaceted and complex sculpture by artist Sterling Ruby is in a realm between veins filled with dripping blood and stalagmites forming inside a cave. Sterling creates massive and intricate installations using ceramic, paint, collage, and urethane to form his uncomfortably oozing sculptures. Although the striking reds combined with the system of lines used primarily in his work resemble veins and arteries, they possess an attractive quality that draws the viewer in. It’s seemingly endless drips demand your constant attention as it keeps your eye moving across the entirety of the installation. Often installed along with his sculptures are red drops referencing blood created from Formica, wood, spray paint and fiberglass.
This Germany born artist, currently based out of Los Angeles, has a wide range of influences that are apparent in his all-encompassing body of work. Influenced by graffiti and street art, many of Sterling’s sculptures are purposely defaced with “graffiti” by the artist himself. He also pulls inspiration from the punk movement, accounting for the chaotic and bold nature of his work. Sterling has a wide range of style, as he does not always create dripping installations. Many of his sculptures are modeled after soft, plush items resembling everyday objects such as a stack of pillows. His soft sculptures are no doubt the influence of infamous and controversial artist Mike Kelley, who Sterling worked under during his graduate studies. His unique take on installation allows him to completely transform a space, taking the viewer into another world. Sterling’s talent has made him widely successful as he continues to exhibit his work both nationally and internationally in galleries, festivals, and biennales.
Jeff Antebi is a photojournalist & essayist. His world portraits make me wonder: how would we perceive our place in this world, had we more familiar access to both the phenomenal beauty and the utter chaos that exists? Jeff’s Antebi captures both with finesse and power .
I first met Wendell after we interviewed him for an issue of B/D a few years back. You never know what artists will be like when you actually meet them but Wendell’s been one of the most sincere artists I’ve met in a while. We’ve been trading studio visits for around a year now and will be in a group show together later this month at Pedersen Projects in Pomona. Wendell is also getting ready for a solo show in October at Kravets|Wehby and a group show at Galerie Jean-Luc&Takako Richard in Paris so I stopped by his studio to check out the progress. Turns out Wendell had a studio jam packed full of massive paintings well on their way to being finished.
In 2009, Jesse Krimes (yes that is his real name) was sentenced to 70 months in a federal penitentiary for cocaine possession and intent to distribute. The judge sentenced Jesse to a minimum security prison in New Jersey, close to support network of friends and family, but the Federal Bureau of Prisons (BOP) opted to send him to a medium security facility in Butner, North Carolina.
His way of coping with the life-changing sentence went a bit more differently than you would expect. He got by with a little help from federal prison bed sheets, hair gel, The New York Times, and some color pencils. Although money was limited in prison, he never struggled to gather enough money to purchase these objects. You might be thinking these are random, but, in fact, they are what made prison life a somewhat more passable experience.
While experimenting with these four materials, Krimes discovered that he could transfer the newspaper images onto the prison bedsheets. At first he used water to do this, but that did not work. Hair gel, on the other hand, had the requisite viscosity to do the job. He was not aware that three years after, he would end up with a 39-panel mural. Each transfer took 30-minutes. Thousands make up the mural. Krimes only worked on one bed-sheet at a time, each of them matching the size of the tabletop he worked on. The laborious routine kept Krimes sane, focused and disciplined.
Swiss/Danish art duo known simply as PUTPUT blurs the lines between photography, design, and conceptual art wonderfully. For their series of photographs titled Undress, PUTPUT isolates a daily dance. On the series, the duo comments:
” The ‘Undress’ series highlights an everyday choreography undertaken by the majority of people on a daily basis. The garment becomes central and embodies the movement.”
The photographs transform a mundane task into a beautiful flash of time. Undress further presents an especially intimate and unguarded moment with the attention of an abstract artist.