The good folks at LG are introducing the UltraWide 21:9 monitors to the creative world in a unique way. Instead of a boring ad campaign they’ve decided to team up with YouTube sensation and master extreme sports video impresario Devin Graham A.K.A devinsupertramp. With 3/4 of a billion views and 4 million subscribers Devin has a loyal fan base that expects only the absolute best in video production and design so teaming up with LG was a natural fit. The UltraWide 21:9 monitor allows Devin to film and edit footage in glorious “Cinematic” aspect ratio making each of his videos feel like a real movie for the big screen. Find out more about this unique cinematic collaboration here and get more information about the new LG UltraWide 21:9 monitors here.
No matter what the medium, artist Shanti Grumbine manipulates her work by slicing it into fractals of distorted imagery. In her series titled Looking Awry, she uses front-page images from the New York Times, and prints them in large format. She then cuts and divides the image into hundreds of smaller pieces and rearranges them before mounting the squares onto wooden dowel. Each square resembles a pixel, creating a strange mix of visual information since they are not placed in their original spot. This hodgepodge of colors and shapes are referencing a digital file that is corrupted, in which we can no longer see what is originally intended to visually display. Although altered and skewed, we can still make out some of the original image in Grumbine’s work. If you look closely, you can see a woman’s face or remnants of a human body. Grumbine explains her journey while creating her wall reliefs.
These wall reliefs become monuments to the untold levels of mediation between my creative acts and the rest of the world.
Much like digital files move across digital highways or frequencies, Grumbine’s work seems to travel across the composition in waves. As each cut out “pixel’ is mounted on a wooden dowel, the dowels are all different lengths, creating a wall relief. These varying levels, confronting the viewer, form a new textural and visual element. Further engaging the viewers are small, square mirrors that Grumbine integrates into each piece, replacing some of the “pixels.” Now, each captivating piece is not just reaching out at you in waves of visual complexities, but also include fractals of the viewer and its surroundings. You are now a part of the piece, a part of an endless source of aesthetic, digital information. A master at carving new meaning into different materials, this Brooklyn-based artist also has a series of incredibly detailed newspaper cut-outs titled Zeroing, also utilizes New York Times newspapers. New visuals are sliced into each word, and even a wall relief in the shape of an orb is formed from its text.
Toronto-based photographer Kotama Bouabane has an incredibly poignant series called “Melting Words.” The ice letters form typical break-up phrases, with their indelible messages transcending the medium’s own impermanence.
Just bought my tickets to see Foxy Shazam Oct 28! The video above, “Unstoppable,” is a triumphant fist pumping sports-arena rocker a la “We Will Rock You” by Queen. I think these lyrics sum it up for me perfectly: “I don’t want my friends to think I’m so punk rock/ So punk rock’n’roll/ And all you hipsters say I’m gay/ Well I’m not gay at all!” Pop-glam rock ‘n’ roll translated through a half ridiculous, half sincere drunk, warbling Freddie Mercury with an Inigo Montoya-style ‘stache and Pippi Longstocking freckles? Yes!
Parisian artist Baptiste Debombourg large scale installations of shattered glass look as if an iceberg has crashed through the gallery walls and shattered into a million frozen pieces. Created out of over two tons of glass and taking over 420 hours to install Aerial (pictured above) transforms a banal material that we come across everyday and transforms it into a monument of beauty.
Brooklyn-based graphic designer Victoria Siemer, also known as Witchoria, has an ongoing photography series updated weekly called ‘Human Error” in which the artist digitally overlays an existential or lovelorn computerized error message over a scanned Polaroid. The error message prompts the viewer for an action or to wait, illustrating the futility of this technological exercise when perceived in the context of heartbreak or ennui. Siemer’s series elegantly pairs new technology, represented by the computerized message, with older technology, represented by the vintage mode of a Polaroid photograph, combining the nostalgia evoked by a Polaroid with the technological angst that fuels many of our modern relationships.
Milwaukee based painter, Richard Galling is making some nice jams right now. There are a lot of youngsters in the Midwest right now playing around with loose geometric abstraction, and I must say, these stand out above the rest. Medieval dedication and form isolation. More after the jump…
Croatian-Austrian design studio Numen/For Use has built a large string supported jungle gym that is described as a “prototype of a self supporting inhabitable social sculpture.” Known for their large-scale tape and netting installations, “String Prototype” represents the studio’s first “large geometric inflatable object” installation. Thin ropes are tied on opposite sides of the form’s volume, keeping them parallel. When the object is inflated, the ropes are pulled and tightened into a structure that can support multiple human bodies. “Bodies entrapped in 3D grid, flying in unnatural positions throughout superficial white space, resemble Dadaist collages. Impossibility of perception of scale and direction results in simultaneous feeling of immenseness and absence of space.” (via my modern met)
The project is currently installed in the Viennese countryside, where it is still in development.
Marco Nicotra is a graphic designer from Milan, Italy. Much of his style is collage influenced with many textures and layers. Nicotra has done work for Super 8 Magazine, Heineken Jammin’ Festival, and Nitepeople Magazine.