Shawn Smith’s sculptures investigate the slippery intersection between the digital world and reality. Specifically Shawn is interested in how we experience nature through technology. When we see images of nature on TV or on a computer screen, we feel that we are seeing nature but we are really only seeing patterns of pixilated light.
For the past few years, Smith has been creating a series of “Re-things.” These whimsical sculptures represent pixilated animals and objects of nature. Finding images of his subjects online, he creates three-dimensional sculptural representations of these two-dimensional images. By building his “Re-things” pixel by pixel Shawn hopes to understand how each pixel plays a crucial role in the identity of an object. Through the process of pixilation, color is distilled, some bits of information are lost, and the form is abstracted. Making the intangible tangible, Smith views his building process as an experiment in alchemy, using man-made composite and recycled materials to represent natural forms.
We get sent viral videos and movies to post all the time but at most commercials can be downright borin. That’s NOT the case with this bad boy. It’s beautifully directed and executed and most of all drives home the environmentally friendly/renewable energy message in a clever way. I even like the erie music that comes along. What do you guys think?
One of the best things about publishing a magazine is having packages from distant lands (Canada) show up in our PO Box. You never know what you’re going to get. Sometimes we get complete junk…. but once in a while, we hit the jackpot with something that you want to hang on to. Case in point: this cool mini ‘zine by T. Reilly Hodgson called C inical Depression. Not only is this a great example of what a few bucks and some time at your local copy center can create, but I also love getting packages with hand written notes. Even our address is tricked out on the envelope! Reminds me of B/D’s humble beginnings when we hand wrote notes to subscribers. Maybe we should go back to that?
Craig Maher is an illustrator who works primarily for Sci-Fi clients such as Magic The Gathering and other role playing games that you’d find nerdy kids playing in poorly lit basements. Not all of his work is my cup of tea but in a small section of his site I found some amazing gems to share with you. Ironically enough all of the paintings in this section were Craig’s unpublished works. Go figure.
Spanish Photographer Andres Medina has a knack for creating beauty with very little. There’s really not too much action in a lot of his photographs. Somehow, though, he frames such emptiness with beautiful lighting and technique in a way that amplifies the emptiness of the world in a really appealing way. Some of Medina’s best stuff is taken at night. You can almost feel the moist, cold air in his night photos, and your ears prick up as you are drawn into their silent world. The pictures celebrate our passive surroundings, as the lack of animated subject matter minimizes distraction. Some things are centered around such an internalized power source that you have to black out the rest of the world just to notice them.
Check out the artwork of Japanese artist Takahiro Iwasaki. “Not only are his small buildings and electrical towers excruciatingly small and delicate, but they also rest on absurdly mundane objects: rolls of tape, a haphazardly wrinkled towel, or from the bristles of a discarded toothbrush. Only on close inspection do the small details come into focus, faint hints of urbanization sprouting from disorder.” (via).
Around three years ago, Brooklyn-based photographer Lauren Renner began her project, “In Others’ Words,” a series that captures the vulnerability with which people self-identify. During a period of transition wherein Renner began to date women, the photographer started to notice people treating her differently, trying to categorize or label her because of her sexuality, even though she didn’t feel like a fundamentally different person. She found this observation fascinating and she began to wonder how others were stereotyped in accordance with their bodies and relationships. Renner’s project captures these intimacies by shooting her subjects in open, public spaces as well as having her subjects become vulnerable to strangers, allowing them to inscribe stereotyped descriptors onto each others’ naked bodies.
Renner says, “When it comes down to it, no matter who is labeling you, all of those words and constructs become a mish-mash inside of you, and seem to inform each other. Words carry a tremendous amount of power, which is why breaking away from some and holding onto others can feel so insurmountable. On the flip side of that coin, I think people tend to become very comfortable in the ways in which they categorize others, to the point where they may not even be aware that they’re doing it in the first place. ”
After all, at the end of the day we put people into boxes because subconsciously it makes them easier for us to mentally digest. Seeing people view my work for the first time was a huge experience for me because I got to see how people reacted when the boxes they were accustomed to had been taken away.”
Christopher Russell hand etches and scratches the surface of his photographs to create intricate drawings and patterns. The process involves using a sharp stylus to remove the top image-layer of the print, revealing the soft white paper pulp underneath.