Anton Van Dalen

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Stylistically speaking, Anton’s drawings hark back to Italian Futurism- glorification of youth, violence, and fantasies of what pleasure advances in science could bring to humanity. It would seem though that instead of elevating technology (can’t we invent another word for this already?) he is mocking it by celebrating the very icons it is now embodied by. Or better yet, the empire that now belongs to Steve Jobs.


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