Most of these are clearly NOT the figures (bodies) that appeared in Movieland. Logan was involved in the display far beyond the sculpting to make sure each of his “children” were seen as he intended with anatomically correct and natural looking pose.

His innovative technique of painting a portrait in oil on each likeness demanded that the lighting on every “set” corresponded with his choice of “lighting” with brush. The hastily taken and poorly lit photos on this site detract and distort the intended presentation of Mr. Fleming. Simply stated, they are out of their element.

Logan was kind enough to give me several copies of his work from his own portfolio over the years, and his magic remains timeless.

People were amazed at how Movieland’s wax figures were so exact and detailed. Every museum in the country tried to copy what Logan was creating at Movieland. No wax museum was ever able to get that level of artistic realism that Logan did.

Logan started as a billboard painter and landed a job working for Alan Parkinson (founder of Movieland). Their collabortive efforts built the world’s largest and best “shrine to the stars”.

With his background in painting, Logan invented a way to paint his wax creations with a hyper realisitc paint job. This painting technique had never been seen anywhere in the world, in fact it made Movieland the best in the business.

Many call it “The Movieland Look” it is a special way to paint the faces with a full portrait of the star right over the 3 dimensional sculpture. This technique requires special lighting and proper display in order for the full illusion to come to life.

The result of this special paint job was that the faces photographed very well. No waxy look, they actually look like the real star in the photos. This is because Logan would heavily paint the faces with every shadow and highlight, everyhting the viewer saw was controlled by Logan’s paint brush.

Logan also came up with was his own sculpting technique…

Unlike most wax sculptors that start with a clay head, make a mold and then pour molten wax in the mold to make a casting, Logan Fleming developed his own way sculpt the heads in wax to start with. So there are no molds, no duplicates, each wax portrait is a one of a kind.

Although most of Logan’s career was for Movieland Wax Museum, The Hollywood Wax Museum hired him to do sculpture when the artist was in his 60′s and 70′s.

Logan Fleming did not do any of the bodies for these wax figures. In fact his contract with the Hollywood Wax Museum was to only sculpt the heads. Bodies were added later by someone affiliated with the Hollywood Wax Museum. Needless to say, the bodies are not naturally posed or to scale to alot of the heads that Mr. Fleming sculpted. Frankly, Mr. Fleming’s sculpted heads deserve better quality bodies than the ones Hollywood Wax Museum had built.

The photos you see on this web page are auction photos taken with standard studio lighting, they do not do justice to the paint job illusions that Logan’s wax work presents.

In my opinon, Logan Fleming is one of the greatest wax sculptors in the business. I base this on the work that was primarily at Movieland Wax Museum. Never had I seen a more realistic presentation of Hollywood themed wax exhibition than that of Flemings work from the 70′s 80′s and 90′s at Movieland.

If you want to see the TRUE art of Logan Fleming, I recommend that you study photos from Movieland Wax Museum and you will see that Logan was amazing with Hollywood star likenesses.

and yeah sasha. i’ve revisited this post a few times and increasingly the ill fitting clothes are coming to the forefront as the most bizarre part to me. i mean, you can spend several thousand dollars on carving a wax fonzie, but you cant spring for some 501′s that fit? with the exclusion of hulk hogan, i think all these clothes came from ross. maybe marshalls