Description of Robert William Overweg’s “Documenting Current Spaces” series:
I have been photographing virtual environments since the end of 2007.
I felt a need to document these worlds because I see them as the new public spaces. I was grasped by their perfect beauty, most of the time copying our own real world. But with constant highlights of beauty. These documentary photographs evolved into a journey of research and questioning.
Is there a difference between a photograph of a simulated object and a photograph of the object taken in real life. Another interesting question, when does popular culture leave the copyright protected arena and become public domain? Aren’t captured experiences instantly the property of the viewer/capturer?