Tova Mozard’s works elicit the uncanny feeling of cinematic conflation and collapse. They’re like stills straight out of dreams you can’t remember, surrealist, hallucinatory, at times slightly comedic in their implausability. They all, somehow, seem to deal with mortality, what lays behind the curtain, absence, death, the supernatural…there is a haunting Lynch-ian tendency that I like too. In particular I love her photo after the jump of Pappy and Harriet’s restaurant, in Joshua Tree…a cheery bbq joint with country bands I have been to many a time…though I almost didn’t recognize it as Mozard makes it look like an ominous place from a horror movie. Many look like lost out-takes from Twin Peaks (she did name her solo exhibition after the Giant’s message to Agent Cooper….”the owls are not what they seem.”) I also like her ’cause she’s Swedish. Unsettling and seductive.