Wendy MacNaughton uses a classic method, pen and ink (in this case, watercolor) to sketch out the world around her. I love the mix of color, text and honesty that makes up her work.
October 22nd, 2009
When the violence of individuals generates the birth of a strange collective monster, anything is possible… A surrealist vision of inhumanity.
PS. this was all done with sand animation!
PSS. By David Myriam
October 22nd, 2009
Have you heard the news? Beautiful/Decay Book 1 is almost sold out! There are only 75 copies of this limited edition bad boy left. After Book 1 sold out on the online shop, we felt sorry for all you readers who didn’t get a chance to snap up your very own copy! So, out of the goodness of our hearts, we put the last 75 copies of Beautiful/Decay left on this earth(!) for sale again! You get a real bang for your buck- at just $20 a pop, you get an original artwork by Kyle Thomas, a one-of-a-kind sticker, and of course, 165 pages of glossy artist interviews and spreads!
Don’t miss out this time- pick up your copy on our online shop!
October 22nd, 2009
Brendan Flanagan‘s acrylic painting technique is as macabre as his subjects. His large scale paintings, depict Images of ambiguous characters, existing in a world that seems to be melting around them.
October 22nd, 2009
Jeremy Little is a graphic designer based out of Los Angeles, His poster designs dwell in the realm of the mystic. Themes such as totality and modernity are examined and radiated through his cosmic visual style.
October 21st, 2009
Megan Leonard has a nice variety of photographs on her Flickr page but I keep going back to these images of the above model. At first I thought that this was Megan herself but looks like it’s not. Perhaps it’s Megan’s BFF, a favorite model, or even a muse. Either way I was drawn to the blank expression in all the shots.
October 21st, 2009
Tova Mozard’s works elicit the uncanny feeling of cinematic conflation and collapse. They’re like stills straight out of dreams you can’t remember, surrealist, hallucinatory, at times slightly comedic in their implausability. They all, somehow, seem to deal with mortality, what lays behind the curtain, absence, death, the supernatural…there is a haunting Lynch-ian tendency that I like too. In particular I love her photo after the jump of Pappy and Harriet’s restaurant, in Joshua Tree…a cheery bbq joint with country bands I have been to many a time…though I almost didn’t recognize it as Mozard makes it look like an ominous place from a horror movie. Many look like lost out-takes from Twin Peaks (she did name her solo exhibition after the Giant’s message to Agent Cooper….”the owls are not what they seem.”) I also like her ’cause she’s Swedish. Unsettling and seductive.
