While Gareth Pugh’s latest collection for Spring 2010 explores a more “mature” experimentation with diaphonous fabrics and a more subdued tone on tone, I prefer his more outlandish, performative sculptural fashion pieces from past seasons. You can’t beat his futuristic death-metal cube-hesher above, seemingly harbinging the coming of Y2K through Swarovski crystals. Or an entire stole made out of white mink-mice replete with red eyes, fit for some ghastly rodent Ice Queen from a savage Viking town….









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