Margie Livingston’s work articulates the interaction between the architectural grid and the natural, organic world. Based on three–dimensional models that she builds in the studio, her paintings directly translate the phenomena of space, light, color and gravity upon these hybrid structures into lines and bands of color that hang seemingly suspended in space. Now, letting accident and discovery meet invention and experimentation, Livingston reverses her usual process, using paint to construct objects. Her new paint objects—built entirely from dots, strips, and skins of dried acrylic pigment investigate the properties of paint pushed into three dimensions and offer a compelling view into how the medium of paint can be used sculpturally. The sculpture featured above contains 62 layers of poured color going from dark to light.