Photography and collage collide in the works of Melissa Steckbauer.
A native of Hungary, Rita Ackermann moved to New York City in the mid-1990s, arriving to find a culture— and art world—in transition. Rave and zine culture was in full swing; collaborations between artists, musicians, and magazine and book publishers were pervasive; and the age of the Internet was upon us. Within a few short months, Ackermann received widespread attention for her work, particularly a group of canvases populated with figures inspired by the cult German film We Children from Bahnhof Zoo about the heroin subculture of the 1970s. Her work forged a new visual language: paintings, drawings, and collages which telescoped between a virtuoso—and sometimes brutalistic—expressionism and taut, precise figurative drawing. Ackermann’s work explores the paradoxical relationship between fragility and violence, as she derives inspiration from literature, film, philosophy, and popular culture.
American Juggalo is a look at the often mocked and misunderstood subculture of Juggalos, hardcore Insane Clown Posse fans who meet once a year for four days at The Gathering of the Juggalos. Very Ape Productions went to The Gathering of the Juggalos and let the Juggalos speak their minds. Watch the full documentary after the jump.
Beautiful/Decay is proud to present the work of 5 emerging artists at the Pulse Art Fair this weekend in Los Angeles. We’ll be exhibiting works by Beautiful/Decay Alums Stella Lai, Tanya Batura, Alison Blickle, Derek Albeck, and Sherin Guirguis all weekend long as well as selling books and subscriptions. Make sure to visit the Pulse site for complete times and locations!
If you’ve ever renovated a home you know how challenging it is to find floor coverings that fit in with your Eames Eiffel chairs and Eli Walker paintings. And if you’re looking for something that’s made in the USA, great quality and environmentally friendly, it’s an even greater challenge. That’s where Stonepeak Ceramics comes in, they offer Italian quality tiles made in the USA using advanced technology to reduce waste and even carry a Greenguard certification.
Virginia Wagner’s paintings stem from real life events that she manipulates and distorts through lenses of fantasy, dream and theater. The ponds, rock fields and tangled forests in her work are her internal wilderness projected onto the external world. The glass walls, grids and concrete bunkers are attempts to erect something permanent and keep the wild at bay. The clashes that occur at this juncture illuminate the conflict between progress and nature inherent in my state of mind as well as in our contemporary state.