Keri Oldham‘s collections of watercolors are studies in familiarity and restraint. Each mark is deliberate, yet still manages to accidentally wander, bleeding and pooling into the next, happening upon a recognizable form.



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  • Ken Kaniff

    Ugh. Yuck.

  • Suzanne

    I find the embrace of the animal and human figures very moving, very complelling. Multiple implications: do the figures attempt to control their own duel natures or that of the natural world?