It’s hard to categorize the work of Judith Geichman. Are we looking at thick paintings or sculptures that are in a dialogue with the history of painting? I’m not sure which side I’d pick and frankly I don’t think it matters much. I’m more interested in how Judith has managed to bring a sense of comedy and humor to a body of work that could be read as minimal. There’s not much minimalism out there that makes me chuckle but these goopy and drippy works manage to do the trick.