Floyd Grey is a fashion illustrator from Kuala Lumpur who is able to draw both from the realms of the real as well as the fantastic. His light lines of proportion sometimes give way for big-eyed girls holding daggers and dressed for adventure. However, his traditional pen and ink renderings [which I assume are done digitally] of beautiful women in designer clothes are his real expertise. The truth is in the eyes of each one of his figures, since they are illustrated in such a gorgeous way that I’m sure it makes the actual models blush every time they see them.
Michelle Devereux’s drawing of a rad rollerblading alien took us all by the heartstrings when it was rampantly shared via social media sites like Facebook and Twitter earlier this year. But before seeing the piece in person at New Image Art, it was impossible to grasp the scale, which is really impressive and bigger than I had initially imagined. In actuality, the drawing is a couple feet tall and has an awesome and subtle texture of colored pencil, which was masked by the digital imaging of the work. The rest of her pieces in the exhibit featured wonderful celebrations of nostalgic-retro-futurism and celebrity crushes, which anyone who grew up in the 80’s or 90’s will find themselves irresistibly attracted to.
Dominic McGill’s dense works on paper mix the jarring combination of finely detailed pencil drawings and amorphous photographic collages. Both image and text are piled sky high in McGill’s massive drawings, some measuring at over eight feet high and covering a broad spectrum of topics torn from news headlines from greedy executives to the the violence and bigotry of war. With a never-ending flood information coming at you from every direction, McGill tries to make sense of the constant chaos and despair and perhaps find some answers to the worlds many painful questions.
Lia Halloran’s work blurs the boundaries of photography and become self-portraits and drawings as well as records of performances. Light is used to form the drawing line while Halloran skateboards at night through different venues. The resulting images are each a trajectory of the artist’s movements over time. The photographs pair urban environments with lines of light which behave as physical objects or break apart into flurries of abstraction.
The images also have ghost-like connotations, showing action with no trace of a figure and leaving an after-image of where but not of whom. They become memory as well as exaggerations of architecture combined with landscape. The light pollution of the Los Angeles night sky is often heightened by the long exposure time of the camera.
Nicole Peterson and Adam Ramirez work together and separately to create gothic fairytale-esque photos. The pair, who are based in Chicago, use interesting fashion items like updated plague masks and pea coats, which allow them to transform a camping site covered in snow into what looks like a still from the sequel to The Hunger Games. And their eye for the perfect moment doesn’t just apply to people, since they even have a whole series of photos from various zoos that make it seem like they’re travelling all over the world. Nicole, also has an ETSY shop where she sells buttons that fit within her artistic aesthetic and say things like “Adopt A Dire Wolf” and “What Would Dobby Do.”
Jason Shawn Alexander illustrates and paints beautiful people who are bent and crooked from the struggles of life. However, he does it in a way that’s still appealing and uplifting to view. So, when you stand in front of his work you begin to feel up and contemplative, rather than ominous and down like you’d initially imagine from the darker pigments and conditions of his subjects. Originally from the south, Jason now resides in Los Angeles and interestingly enough, besides being a figurative painter, he worked for years as a draftsman at all of the top-dog comic publishers like Dark Horse and Marvel…(via)
Locatedunder the sea off the coasts of Mexico, Grenada, and the West Indies, Jason de Caires Taylor’s realistic sculpturesof people morph and evolve over time with the proliferation of colorful sea life that inhabits them. Stony human faces are obfuscated by coral, barnacles and seaweed; fleshed out and breathing with new life, the resulting ecosystem textures and transforms these ever-changing, ephemeral bodies. Created with environmentally friendly materials that promote coral growth, the sculptures contain inert, ph-neutral properties designed to last hundreds of years, and to house the creatures that distort and transform them. Taylor’s magnus opus, The Silent Evolution, located in Cancun, Mexico, consists of 400 life-sized casts and forms a permanent artificial reef. Taylor’s body of work provides both an artful method for addressing environmental concerns and the spectacle of witnessing true buried treasure.
I first saw Allison Krumwiede’s art at the LA Zine Fest and still can’t believe she isn’t like the biggest most important artist ever. Her pop culture work is incredible and her talent literally spans across every medium – from digital rendering to needlepoint. Whereas most artists spend their entire lives trying to perfect one thing like pen and ink drawings, she can easily switch between a brush and a needle like a civilian trades forks for knives at a dinner table. So, it’s rare that someone like Allison comes around, extremely freaking rare! She is definitely a talent to watch out for, especially considering she’s already done commercial work for some of the country’s media bigwigs like The New York Times and The Village Voice within a year of graduating from Art Center.