Francois Leroy is a freelance illustrator from Paris, France whose digital works incorporate everything necessary to push art forward into generation upgraded. With ease he navigates the difficult territories of 3D typography, design, context, motion graphics, and execution – all while retaining his own identifiable aesthetic. His website not only offers a glimpse into his portfolio, but also several cool free downloads, which deviate from the norm. One is of a 100-layer Photoshop file that you can make a visual remix of and another is a asset-pack of transparent .PNG files you can use to add texture to your work. The crazy thing is that he actually shot the textures himself, which is really cool since you usually don’t get a chance to see the people behind things like that. (via)
Delilah Jones‘ ‘Portal’ collage series forms entrances into other worlds through ripping and layering found photography. The artist, currently residing in Portland, uses traditional techniques in the digital world to seemingly travel through time itself with her fantastical juxtapositions. More after the jump.
Korean born and New York City based Jay Sae Jung Oh’s dynamic functional sculptures is made out of manufactured objects conspicuously transformed into unexpected new forms, making a strong statement about our current cultural condition of abundance. Sharp attention is focused on reconsideration of the ordinary. In this project, Jung Oh started by collecting discarded plastic objects, assembled them together, and finally wrapping them with a natural plant fiber (Jute). The transformation occurs in the amalgamated form and its concealment. Innovation, invention, and beauty can emerge from anywhere, even the most familiar, ordinary and everyday. (via)
Portland artist Meg Adamson’s work is delicate without coming off as forced or mechanical. This dynamic reflects her natural, organic subject matter very well. She is participating in PangeaSeed’s Great Artist Migration benefit tour, which begins in July.
Rich Pellegrino has a fantastic way of splattering paint and pigment all over the place in order to create vivid portraits of famous people and myths. He’s a fan favorite at galleries who have pop culture themed group shows, like Spoke Art in SF and Gallery1988 in LA. In fact, it just wouldn’t feel right to go to an exhibit based on any kind of film, comedian, or obscurely famous what-have-you without one of Pellegrino’s pieces in the space. His style is recognizable from across the room and he’s one of the few illustrators I’ve seen who employs a use of texture in his work that makes it pop up a little bit from the page even when it’s in the usual purchasing form of a print.
Scot Sothern is an older photographer, who due to a gnarly motorcycle injury, now walks with a cane. His stunning black and white photographs taken years ago explore what many consider to be the world’s oldest profession, prostitution, while his recent color shots document the random scenes he encounters on a daily basis. And while many of us roll up our windows and try to avoid even subtle eye contact with street corner hookers, Sothern welcomed them into motel rooms to pose for his unnerving lens and even partake in debauchery reserved for a pervert’s imagination and Charles Bukowski’s pen. He was probably the only person to ever shoot his subjects with something other than a gun or semen and his photos, mostly taken in the late 1980s went largely unseen until his first exhibit in 2010 at DRKRM Gallery in downtown LA – just blocks away from where a fan could’ve gotten into some serious trouble if they were inspired by the work. Besides living a wild life and making sure to have a camera there to capture it all, Sothern is also a wonderful writer who is able to describe his experiences with literal crack-addicted whores like they were the most elegant things you’ve ever read about in your life. WARNING: This post contains images that are NSFW.
Taylor Holland’s Fra[me’s] project came about when Holland visited the Louvre museum and found himself more engaged with the heavily embellished and ornate frames that went around the master works of art instead of the paintings. Using digital manipulation Holland has created a body of work where the picture frame serves both as frame and content of the piece eliminating the need for outside content. Taylor states ” This project was born of the idea that, on several visits to the Louvre, I was often more interested in the artistic merit of the frame than the art itself. The result hopefully challenges the viewer’s notion not only of what art is, but the viewer’s own perceptions about where to find and appreciate art in various settings such as the Louvre.” (via)
Taylor is currently partnering with Saintill Lijsten (Haarlem, NL) to realize a physical prototype of this project by taking antique frames and filling them with hand-crafted molds.