Last night, Jonathan Levine Gallery in Chelsea, NYC opened a group show entitled Détournement : Signs of the Times. The show includes works from some big names including Ron English, Shepard Fairey, Jamie Reid, Steve Powers, and Aiko Nakagawa. “Détournement” refers to the practice of altering the face of public signage to change their respective meanings. From curator Carlo McCormick (editor of PAPER magazine):
Employed brilliantly by the Situationists, whose great philosopher Guy Debord laid out the socio-aesthetic framework for this practice, détournements twist the terms of mimicry in ironic parody using the a semblance of the easily recognizable to dissemble and redirect the literal meaning of signs so as to construe a more honest picture of their deceptive intentions.
A natural response to the lies and coercions we are fed on a daily basis, the détournement has been the reactive impulse of all those who question reality, from the Punks who adopted it in the 1970s through Culture Jammers, Adbusters, contemporary street artists and the winding legacy of protest movements from WTO to Occupy.
More images of works in the show after the jump.