Nicola Hicks balances the mythical and the anthropomorphic

Aesop’s pranksters, villains and modest heroes are apposite subjects for sculptor Nicola Hicks, whose work frequently balances the mythical and the anthropomorphic.This exceptional selection of new sculptures form a body of work surrounding contemporary themes, imbuing great energy and combining complex compositions with painstakingly detailed expressions.
It is important to recognize that Hicks is not interested in merely illustrating the fables, rather the works serve as a catalyst for her creative process, providing the foundation upon which she is able to express her own personal visual language. Furthermore, the lively narrative has enabled Hicks to continue her investigation into the effects of gravity on the physicality and assemblage of the works, whilst allowing her to pursue her chosen composition.

The raw-edged, tactile nature of these works epitomizes Hicks’ delight in sculpting. Plaster is blended and contoured into natural forms creating aesthetic qualities rich with spontaneity and strength so as to capture the essence of the characters.This, combined with the large scale of the sculptures forces us to confront the realities of the fables.
Rather than depicting the resolution of each of the fables, the animals are frozen in their moments of decision.The expression of the transitory moment serves to evoke the innate sensibilities of her subjects.The foolish crow has not yet dropped his cheese, unaware that soon he will be hungry and mocked on his branch.