This Is It is a London film collective that make the great handmade-style films. Don’t Hug Me I’m Scared is one of their latest, and uses their arts and crafts aesthetic to make a hilarious mock-children’s PSA about creativity. It’s delightfully nihilistic, self-aware, and taps into something all of us have probably felt in any sort of Creative endeavor, namely that “creativity” isn’t just the purely positive act that popular culture makes it out to be. This is one you need to watch to the end, it’s 100% worth three of your minutes. Full video after the jump! Read More >
If you remember a while back we posted the incredible photos of Seth Casteel last year and it was one of our most popular posts of the year. Thousands of BD fans responded and shared his fantastic underwater dog photography, so we’re excited to share 10 new photos from his latest series on underwater dog photos.
To celebrate the launch of his new book “Underwater Dogs” Seth has generously given us a signed copy of the book as well as a signed 8×10 print of the photo that graces the cover of the book (pictured above) to giveaway to one of our lucky US readers . All you have to do is complete two very easy steps and win big. Just use the widget below to enter and you’re all set. The winner will be announced next Tuesday November 6th.
Sculptor Loren Schwerd documents the wreckage hurricane Katrina left behind by building artwork from it in her series Mourning Portrait. While in New Orleans shortly after the storm Schwerd came upon the flooded St. Claude Beauty Supply shop, much of its inventory spilling out on to the sidewalk. She uses the human hair extension she picked up off the curb to build what she calls “commemorative objects”. Each piece is a “portrait” of a building in various stages of deterioration. The images of dilapidated homes give an indication of the massive amounts of damage from the storm while the hair alludes to the human loss. Schwerd explains her use of the human hair extensions in her work this way:
“The portraits draw on the nineteenth-century tradition of hairwork, in which family members or artisans would fashion the hair of the deceased into intricate jewelry and other objects as symbols of death and rebirth and remembrance.”
Aleksey Kondratyev‘s series Fabricated Adventures is all about adult escapism–making what we want from what we have. Whether you take it as a cynical critique of materialist make-believe, an homage to the capacities of human industry and imagination, portraits of American vacation culture, or none of the above, they’re an interesting series. Here’s what he has to say about them:
“The photographs in this series are of locations which emulate a natural environment for the purpose of recreation. As humans live in their present environments, their experience is determined and limited by their time in history, climate, and physical location.The recreational spaces in this body of work provide a temporary escape from these limitations and from the reality of one’s present physical and geological surroundings.” – Aleksey Kondratyev Read More >
Hungarian artist Bence Hajdu digitally edited out all the characters from old master paintings for his aptly titled series Abandoned Paintings. What started as a simple study of perspectival drawing turned into a series about the environments of renaissance painting which, outside the world of art historians, is largely ignored. Previously encouraged by the painters to focus on the Virgin Mary, Jesus and his disciples, Horatii warriors, and baby angels, we now shift our attention to tiled floors, towns outside the window, empty dinner tables, arches, boats, and gardens. Work this flawless is always stunning to stare at, and will hopefully inspire lots of photoshop-savvy art history enthusiasts to do this with all their favorite paintings. Bence’s statement:
“I am a student at the university of fine arts, hungary. At one of the descriptive geometry classes we had a task to find and draw the perspective and horizon lines of renaissance and other pictures with significant perspective space. I thought it is not that interesting to just draw lines, so I decided to erase all the characters from them and examine how the painter really created the perspective space and how it actually looks. I saw this could be something exciting and continued thinking and working on it. After a while I found myself interested in the new atmosphere and the new thoughts the retouched pieces generated without their main subjects.”
You’ve seen his beautiful videos for Lana Del Rey (Blue Jeans and Born to Die) and now director Yoann Lemoine aka Woodkid brings his own musical experience to life with a few live shows in the US next month including a stop at New York’s Irving Plaza on Nov. 1, Bimbo’s in San Francisco on Nov. 2, and LA’s Luckman Fine Arts Complex on Nov. 3. I recently watched his performance from Le Grand Rex in Paris via our friends at The Creators Project and it blew me away. Woodkid recently spoke with Filter Magazine and said, “We will be eight on stage, two symmetrical drummers, one keyboard, one ‘machine’ guy who plays percussions on a computer and three brass. There will also be massive projections, yes, the same one I developed on the Grand Rex Show I just did in Paris. The whole show is about symmetry and black and white, it recalls visuals from the videos but in a more abstract way.” Are you excited yet? Watch the performance below and definitely get your tickets via Ticketmaster to what’s sure to be an amazing night.
We’ve all probably spent too much time watching creamer dissipate into coffee (or at least i did when i bussed tables). The interesting part to me wasn’t how beautiful and otherworldly the plumes looked, but how watching them never seemed to get old. Italian photographer Albert Seveso obviously shares this fascination and expands on it with varicolored inks which he captures with high-speed photography as they unfold underwater. Captured like this, the ink looks incredibly physical, like glass sculptures. Witnessing the transformation of substances feels like watching the cosmos themselves, which we are in a sense, and is why this is a series third graders and thirty year olds alike can get behind.
“The term “urban fabric” often refers to everything that makes up the built environment, excluding environmental, economic, functional and sociocultural actualities. Using raw material culled from an archive of merchant posters Christopher Michlig collected from LA streets, Patternesque is a group of 16 collages, each a pattern study riffing on idiosyncratic typographic anatomy. While each collage is a distinct composition, common threads run throughout. Emphasizing the flexible, open-ended nature of the project, the work also suggests the morphology of urban space. Alongside the collages, Michlig presents a group of architecture-related relief sculptures. Based on a tradition of architectural model making in which massing models are used to dimensionally summarize the fundamental forms of buildings, Michlig’s “City Plan” relief sculptures interpret typographic space as proposed city plans. Reflective of the spaces from which the original posters were collected, while simultaneously nondescript, each city plan forces a consideration of the power dynamic of language itself as an imagined built environment.” – Christopher Michlig
photo credit: Josh White