Artist Rik Garrett explores physical relationships in his series Symbiosis. By painting directly onto the photograph, Garrett literally fuses two bodies into one. Two writhing bodies seem to become one organism. It’s a nearly a literal interpretation of “two becoming one flesh”.
Garrett says, “Symbiosis is a new series exploring ideas regarding love, relationships, magic, Alchemy and mutually beneficial partnerships in nature.”
While the idea sounds romantic the imagery can appear otherwise. The single masses almost appear to be struggling against itself, perhaps alluding to the complexities of sexuality and relationships.
Heidi Voet lives and works in both Brussels and Shanghai. She creates sculptures based on minor alterations that comment on society and history. In 2010 and again in 2011 she produced large “Tapestries” made with thousands of digital watches. Presented as carpets these physical fabrics of time are vibrant representations of household staples. Maya Kramer explained one work in an article entitled ‘Beautiful because it is brief‘ stating that “Is six afraid of seven/ ’cause seven, eight, nine/ I’m about to lose the pieces I find is an elaborate carpet woven together from over four thousand, multicolored watches all set to the exact time. (…) at intervals throughout the day, the watch alarms simultaneously ring in a symphony of digital chimes. Over the course of the exhibition, the watches will inevitably malfunction, losing their synchronicity and eventually sounding like an out of rhythm and out of tune orchestra. Thus, as the title of the work implies, the march of time is subtle yet unceasing and its cumulative effect results ultimately in dissolution and increased chaos.” (via)
We have featured the work of NY based Matthew Palladino on the blog in the past (here). He has an uncanny ability to reveal subtle dark humor within everyday objects and situations. Palladino has just unveiled a new series of vinyl on canvas and ink on paper paintings that extend his cryptic vision. Figures sway as his claustrophobic compositions warp and pulsate. In other pieces fabric swatches shift and mutate throughout explosive abstractions. In his own words, “The work I make is not like science, it doesn’t begin with a question. It instead tends to end in a question.”
Holly Andres series Sparrow Lane presents an elliptical narrative of young women on the verge of adulthood. Drawing on the formal and thematic conventions of Nancy Drew books, 1970s horror films and Alfred Hitchcock, the series depicts girls in search of forbidden knowledge. By employing suggestive and symbolic iconography such as chrome flashlights, skeleton keys, mirrors, birdcages and open drawers, literal narratives are suspended to suggest psycho-sexual metaphors. The Sparrow Lane protagonists are propelled by curiosity, empowered by their discoveries, and are also intimidated by a sense of impending threat. While the girls flirt with danger, however, the work is apparently innocent and devoid of explicit violence. Rather, the series represents the potential loss of innocence.
More photos from the series and a fantastic promo video for the book of the series after the jump.
The series of work from Polish artist Jan Manski is aptly titled Onania – an archaic term for masturbation. The life-sized installations focus on ideas of vanity and hedonism. Dominated by a fleshy shade of pink, Manski seems to ambiguously address a cultural obsession with pleasure while neither condemning nor condoning it. Manski contrasts materials such as fat, leather, bones and fur with surgical steel, enamel, clothing, and cosmetics. Onania manages to repulse and be aesthetically pleasing – mesmerizing like a botched medical procedure.
The work of artist Michael Murphy emphasizes personal perspective. Murphy builds upon several layers to construct a larger image only seen from a precise angle. When stepping away from that angle the image descends back into abstraction. Murphy uses this to express the social and political ideas implied several of his pieces. A portrait of Barack Obama diffuses to reveal very many shades of skin tones which accumulate to form a whole portrait. The simple shape of a Christian Crucifix is dismantled into an iconology of the symbol – a visual conversation of contemporary issues associated with the religion.
Annie Marie Musselman’s photographic work has a very unique quality and strategic approach to capturing the soul of an animal. When browsing through the collections on her site, I couldn’t help but feel like I was looking at another human being, not a bird or a fox… Currently, Musselman is working on a project photographing animals in sanctuaries around the world in order to raise awareness around the fragility and beauty of endangered species – animals which if saved, would save countless other species as well.
Bubi Canal was born in Spain and currently lives in New York City. His lavish photographs are inhabited by whimsical beings free of inhibitions. Surreal childlike notions are presented against stark land and cityscapes. In his own words Canal wishes to highlight “…wishes, dreams, magic and love.” His youthful optimism shines as his striking imagery transports the viewer to a marvelous world all his own. Canal has just opened a solo exhibition entitled Special Moment that runs through March 10th at Munch Gallery NY.