Dan Bradica lives and works in Chicago. Using extremely basic materials (paper and fluorescent lights) he obscures, highlights, and examines the world around him. An image of stacked cardboard boxes in a field of barren trees becomes a metaphor for the consequences of deforestation. In other work pieces of bright paper take form of apparitions and playfully haunt the scene. These simple alterations reinvigorate the landscape and simultaneously comment on waste, excess, and consumption.