Multi-disciplinary artist Christopher Taggart‘s work elegantly investigates ordering systems, photographic dissection and dissemination. Most compelling are his large, meticulously woven collages of carefully selected imagery—a combination of playing cards, personal photos and government archives. Taggart presents these works in such a way that the viewer’s attention is simultaneously swallowed by the physical scale of each piece and lost in the smallness of the individual cuts.
The overwhelming nature of the work does not seem to be accidental, as he plays with the viewer’s sense of curiosity in each bite-sized fragment of imagery. While trying to look for themes or recurrences within the work, at times the subject matter reveals itself and sets a different tone. For example, Taggart’s digital photographic collage Colony combines and restructures aerial photographs of 21 California state prisons—something that casts a darkness over the colorful shards of imagery almost immediately. His latest solo effort, Cuts And Splits, is on view at Eli Ridgway Gallery through May 4.