Former art critic William Powhida unpacks his feelings about the art world and community by craftily using the medium itself to exemplify, deconstruct, and evaluate. Whether it’s an installation piece, abstract painting, or neon structure, the essence of art criticism and commercial machine surrounding an artist’s success or failure is heavily examined in his work.
However, Powhida’s recent emerging sentiment is not completely sardonic nor too serious or precious. Of his recent show, “Bill by Bill,” the LA Times suggests, “What saves the work from grating sarcasm or smart aleck cleverness — toward which the artist has erred in the past — is a curious undertone of sincerity. Powhida is not mean-spirited or bitter but seems genuinely driven to understand his subject: the internal mechanisms of this peculiar social and economic ecosystem. How does the art world work and how should we feel about that? How much of ourselves should we reconcile to it?”