It comes as no surprise to anyone who idles away hours at a computer screen looking at design and art sites that the cut and paste collage medium is seeing a resurgence in importance. Sharing the internet’s tendencies of immediacy, appropriation and a denial of visual ownership, collage combines anything and everything to create a natural response and reflection of our age.
The collage work of Jesse Draxler similarly combines these strengths and tendencies, though with hand-crafted technique. His mixed-media fusion of found images, typography and design sensibilities thrives in information-overload times, both in drawing inspiration as well as being viewed instantaneously. By finding source material from anything, Draxler is able to ‘remix’ fashion spreads as easily as referencing art movements, crafting a new 2-dimensional language that has an immediate accessibility. This intentional referencing of constant stimulus, which is manipulated first and considering after, is essentially a kind of hyper-consumption of images that might be the descendant of William Burroughs’ cut-up technique. Draxler has no contention with this, saying, “Going through my Tumblr feed is like gathering ammunition which I will use myself, in my own way. I am able to see trends emerge in real-time, and I think about how I can fit those aesthetics into what I do, or even wrap what I do around those aesthetics.” Essentially everything, regardless of theme, origin, niche or intent, has the potential to become inspiration.
Recently featured in Gestalten’s The Age of Collage, a survey of the foremost collage artists working in the world today, Draxler’s ability to draw inspiration from anything fully portrays the strength of the visual remix medium.