Artist James Turrell, pioneer of using light as an art medium, once said “Seeing is a very sensuous act“. Charles Matson Lume follows Turrell’s influential path, adding his own sculptural, material and architectural elements to his light works. Though the two have distinct differences, Lume’s idea that “Light is seemingly capable of releasing a kind of secret from the ordinary” holds many similarities to Turrell’s artistic philosophy.
The Twin Cities-based Lume spoke with Beautiful/Decay on the eve of being named to the ArtPrize Shortlist for 3D Works for his piece, The World’s An Untranslatable Language II (for Charles Wright) (pictured above). Using pedestals of plastic warning tapes, as well as neon duct tape, mirrored paper reflects light onto the gallery’s walls, creating the alluring forms and patterns which are the spirit of Lume’s work. The artist adds, “Yes, the light is elemental in my work. However, the materials hold meaning. For me, the pas du deux of light and materials mirrors my experience in the world.”
This relationship between the materials and the light itself is interesting, as it is the artist’s main medium, yet is given more conceptual heft with the importance placed in the ephemeral materials used to support the light works themselves. Many of Lume’s ideas are broadened (and also named after) his interest in contemporary poetry, but the artist quickly adds, “I am interested in visual pleasure, the sensual, and experiential. I am also interested in what distracts us (Is there anything in our culture that isn’t vying for our attention?) What gets in the way of really living a full life? Art allows me to find gestures in which I can sometimes access a kind of authenticity that is true.”