It is difficult not to imagine a narrative when seeing the work of Terrence Payne. The Minneapolis-based artist uses elements of design, iconography, typography, pattern and figure, all rendered in a decorative style and soft pallete but with subject matter that is anything but. While the artist occasionally focuses on a central word or scrawled text behind the animals and repeating, archetypical figures, Payne’s paintings use loaded narratives that combine believable earnestness and well-intentioned antagonism.
To achieve the softness in the work, Payne first uses colored pencils to enhance the quality of light and jewel tones, then applies layers oil pastels which allows the the under-drawings show through. Payne says:
“I want you (the viewer) to see the mechanism of it. The idea is just how can I reinforce the sense of this being artificial, that these people aren’t real. They are just representations of what I am thinking about“
Terrence’s recent work has been concerned with “cataloging the human effects of trying to keep your head afloat in an increasingly polarized world of haves and have-nots” and “examining a person’s perceived place in society” and how that affects the way the work is perceived. This most recent work will be collected in an exhibition alongside Nick Howard (previously here) called Cake, at the artist-collective space Payne helped found, Rosalux Gallery in Northeast Minneapolis (which was named Twin Cities’ Best Gallery in 2013). Cake opens October 12th and runs through October 31st.