The photoseries Skins by British photographer Rosanna Jones has all the necessary elements of alluring art; a distinctive and unique perspective, inventive technique and haunting imagery. Describing herself as a fashion and portraiture photographer, as well as a mixed media artist, Jones currently studies photography at Falmouth University in Cornwall, UK. Created as part of her Final Major Project, Jones began the series investigating how the face many of us present publicly ends up being the front which conceals our true nature from ourselves. This perspective is particularly poignant for a fashion photographer, who no doubt has seen firsthand an industry which is quite openly based on hiding and disguising imperfections. Says Jones, “…my theme was Concealment – looking at concealing ourselves until we’re no longer recognisable.”
Jones’ work was also inspired by another photographer known for obscuring the human form, Rik Garrett and his Symbiosis series. Garrett explains his artistic goal in the over-painted photos as “erasing the boundaries of the human body. By applying paint directly to the surface of photographs, I have actualized an impossible dream…” a process that when paralleled to Jones’ Skin series creates a unique bond between the two photoseries.
Jones is intentionally vague on the specifics of how the over-painted and (possibly) collaged images are created, which only adds more allure to the shrouded and obscured works. Says Jones, “A few people were confused when seeing them in real life about what they literally were – the more mystery the better I say – but they’re digital photo collages which are then overpainted”, giving each work both emotive beauty and metaphorical weight rarely seen in conventional fashion photography.