Louis Fortier’s works are that kind of fascinating that is all at once grotesque, perhaps even borderline repulsive, and so incredibly bizarre that you can’t look away. Devoted to the head, Fortier has spent the past decade exploring the subject. Using numerous wax or plaster heads, made using his own as a model, Fortier manipulates, deforms, collapses and reconfigures the head’s natural shape. The repetition of the body part reveals a deep fixation with the human face, identity and individuality. Probing into an analysis of genetic manipulation and cloning Fortier’s heads speak to the idea of multiple selves, or the personalities/ lives we might have had.
This idea of numerous variations on a single motif also raises questions about the idea of chance and unpredictability. Removing the casts from their mould before they are solidified, Fortier then allows metamorphoses to occur. Fortier seems to be wondering about the idea of nature versus nurture and where the artist’s hand fits into the equation. Partially directing the manipulation and partially leaving the results to chance, each of Fortier’s heads becomes a different variation of himself. In making these atypical self-portraits, Fortier analyzes the artist’s ability to destroy and create his identity.