Kim Dong-Kyu Gives Girl With A Pearl Earring And Other Iconic Figures In Paintings Tech Upgrades

Dong-Kyu Kim

‘girl with a pearl earring and an iPhone’ – based on ‘girl with a pearl earring’ by johannes vermeer, 1665

Dong-Kyu Kim

‘always in my hand’ based on ‘in the conservatory’ by édouard manet, 1878-9

Dong-Kyu Kim


‘a family gathering’ based on ‘the balcony’ by édouard manet, 1868

Dong-Kyu Kim

‘her mirror’ – based on ‘rokeby venus’ by diego velázquez, 1647–51

Korean illustrator Kim Dong-Kyu gives technological updates to Girl With A Pearl Earring and other iconic works in Art History.

Kyu’s images, although hysterical, are quite critical of the way smartphones/gadgets have dramatically changed today’s social interaction. Themes of alienation, avoidance, self-centerness, and attachment prevail through the series of images. It is interesting to think back on the cultural history of most of these works [mostly the 19th and 20th century works on here]; the juxtaposition of the cultural implications of the scenes of each painting and today’s conception of socialization is quite amusing and very different, yet, at some points, very similar.

For instance, Degas’ The Absinthe Drinker’ from 1876, reveals the increasing social isolation in Paris due to a stage of rapid growth and confinement brought forth by the highly urbanized and elite-driven atmosphere of the new Paris. The woman, actress Ellen Andrée, blankly stares into the walls of a Parisian café. With a glass of absinthe in front of her, she solemnly contemplates the nothingness of what is going on around her. The man, painter Marcellin Desboutin, sits next to her but glaces towards the opposite direction, looking to catch on to something interesting outside of his close quarters. Similarly, on Kyu’s rendition, the woman find herself ignored and in a state of alienation as she is the only one not using a gadget.

These definitely leave us wondering if social interaction has been one of those things that evolve to become more of the same thing. With or without technology, it seems clear to me that the urban, and the elite societies, both rendered in these paintings (with and without Kyu’s additions),  look to the outside, and inside, towards their phones, in order to fill some sort of void, and/or escape whatever lies in font of them. If this is true or not…that is up to you to decide.

Dong-Kyu Kim

‘in a cafe’ -based on ‘the absinthe drinker‘ by edgar degas, 1876

Dong-Kyu Kim

‘when you see the amazing sight’ -based on ‘wanderer above the sea of fog’ by caspar david friedrich, 1818

 
Dong-Kyu Kim

‘sunday afternoon’- based on ‘a sunday afternoon on the island of la grande’ by jattegeorges-pierre seurat, 1884–1886

Dong-Kyu Kim

‘the scream’ – based on ‘the scream’ by edvard munch, 1893

'hotel room' - based on 'hotel room' by edward hopper, 1931

‘hotel room’ – based on ‘hotel room’ by edward hopper, 1931

'the card players’ - based on ‘the card players’ by paul cézanne, 1894–95

‘the card players’ – based on ‘the card players’ by paul cézanne, 1894–95

 


Advertise here !!!