These disturbing sculptures, created by Jessica Harrison, seem to be made out of real, fleshy skin and hair. For your relief, that is not the case; they are actually made out of the casts of the palms and back of the artist’s hands. The artist chooses to photograph these sculptures against real skin, her hands, to trick her viewers into thinking that the actual sculpture might in fact be an extension of her body. Blurring these boundaries and limits of the body, Harrison provokes questions about perceptions and bodily shapes in relation to the two of the five sense, touch and sight.
Her research considers the relationship between interior and exterior spaces of the body, but looks neither inwards towards a hidden core, nor outwards from the subconscious, instead looking orthogonally across the skin to the movement of the body itself, using the surface of the body as a mode of both looking and thinking.