Kathryn Andrews explores issues relating to performance, presentation and material. Juxtaposing the legacies of pop art and minimalism, Andrews’ works direct a viewer to consider the way subjectivity is constructed in contemporary culture. In the process, Andrews’ works manage to subvert the very art historical categories they reference. Using fabricated forms alongside readymade objects sourced from the likes of prop shops, memorabilia stores or party supply outlets Andrews’ pieces become a powerful contrast between high art and pseudo-kitsch—shiny, serious mirrored surfaces reflect colorful, strange yet common objects. In the reflection the viewer sees himself, thus becoming part of the narrative and generation of information and understanding.
Entertaining similar interests in her two-person exhibition with fellow Los Angeles artist, Alex Israel, at Gagosian in Rome, Andrews and Israel present works that explore a dialogue about specifically the readymade. The show is up through March 14 and you can see images here.