Michelle Hamer hand-stitches pixelated versions of photographs she’s taken of urban spaces, mainly those occupied by text found in advertising, signage, or graffiti. She stitches her images into perforated plastic, transforming flat, static images of everyday public urban life into tactile needlepoints that recall private and domestic spaces.
“I see my work as a type of socio-historic documentation. The images depicted are in between moments that we often take for granted. The obviously slow process allows viewers to become more conscious of these moments which are captured within an instant and consider the difference between the manual and the digital. The in-between spaces (on/off ramps of freeways etc.) where signage can often be found is both necessary for our infrastructure, but also generally not noticed. Similarly, much of the text, advertising signage, streetscapes are so familiar we can fail to focus/really see it, but it’s often reflective of our broader social ambitions, aspirations and edicts.”
(via this isn’t happiness)