Made With Color Presents: Cassandra Jones’ Incredible Geometric Cheerleader Patterns And Lightning Drawings

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Cassandra Jones

Our friends at portfolio site builder Made With Color have teamed up with Beautiful/Decay yet again to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Made With Color doesn’t just help artists create minimal and mobile/tablet responsive websites but allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the work of mixed media artist Cassandra Jones.

Cassandra Jones uses thousands of found images collected from stock photography
agencies, eBay, and public domain archives to create her dazzling digital collages. Culling through thousands of found images, she compiles these photographs to create imagery that tell stories about human observation and the power of photographic imagery in our snap-happy contemporary lifestyle.

Two standout bodies of works by Jones includes her Good Cheer and Lightning Drawing series. In Good Cheer Jones takes stock photos of peppy cheerleaders performing stunts that flaunt their briefs and transforms them into a mesmerizing geometric patterned wallpaper. This type of photography, a young girl in uniform with one leg up in the air, has a duel connotation of family values and pornography all in one image. Good Cheer surrounds the viewer in this paradox of ethical ambiguity. In Lightning Drawing Jones turns to found images of lightning. Merging “Remix Culture” with traditional mark making, Jones groups and connects stock photos of lightning bolts, end to end, to draw a series of circles. Each of these pieces is executed with a different and distinct line quality, including bold, thin, feathered, overlapping, meandering, and fluid linear scores.

About her work Jones States:

My photography archives and the works I create from them are documents of a banality that have emerged from an over-abundance of common imagery. Led by a desire to create a counter to convention, I am attempting to liberate specific visual clichés by embracing them. I draw connections between theses images to demonstrate that the most prevalent scenes we are compelled to capture, somehow link us. Alone, these photos have diverse meanings but when intertwined and woven together they reveal much larger stories of history, ritual, desire and innate human aesthetics, regardless of author.


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