After searching through the deepest corners of the internet pornography universe, the South African mixed media artist Von Brandis blanked out the carnal content in an attempt to reinterpret sexual imagery. The project, titled “Obscene Interiors” somehow heightens the voyeuristic thrust of the erotic images; behind a shield of white, sexual activities become more mysterious and forbidden, forcing the viewer to examine the images with more self-consciousness than the original porn might elicit.
The series also works to redefine the erotic. As blanked-out figures magically flatten and morph into a single two-dimensional being, signs of intercourse and movement disappear. In contrast to the white-out bodies, which often appear to be pasted onto the photographs, the space of the pornography sets do indeed become the “obscene” photographic content, inviting the eye to penetrate their depths. The pornographic subject becomes the interior itself: the cheesy bedding, the slightly parted curtain, a glistening clock radio, a stained rug.
The images, if slightly dehumanized by their alterations, maintain their intense sexual charge; the off-kilter frame suggests movement within the room, an amateur pornographer’s fast and anxious shots. Shadows billow from the white shapes, hinting at the breath, dimension and passions of the human form.
The series, with its censorship, paradoxically becomes more suggestive and uncomfortable. Forced to consider the erotic impulse and visual fetishization, the viewer cannot help but feel awkward about our engagement with the porn. In this way, this powerful piece touches on contemporary debates about the medium: is porn a healthy, natural human activity, or is it objectifying and morally ambiguous? What do you think? (via Lost at E Minor)