The French digital painter Lostfish creates an uncomfortable yet irresistibly alluring landscape of feminine powers; her bashful, pink-cheeked subjects reign supreme, adorned in precious jewels and sparkling crowns. The artist’s characters are abuzz with their own fertility, as expressed by bouncing nude breasts and lush flowers that seem to spring up from underfoot; also pictured are rabbits and eggs, symbols art historically associated with breeding and copulation.
The artist, influenced in part by 19th century art, works within a Victorian sensibility, reveling in an innocent, doll-like vision of femininity; her subjects, pale skinned and with impossibly delicate figures, become queens, armed with crowns and tridents. Lostfish’s female characters also seem pious, divine even; a few wear dismembered hands as jewelry, reminiscent of religious icons like the hand of God or the hand of Fatima. White flowers with yellow centers, often symbolic of the Virgin Mary in Christian art, stand in the place of youthful, milky nipples.
Yet within Lostfish’s ethereal and seductive images, there seems to linger an ominous supernatural strength within womankind. Where the Victorian woman is domestic and obedient, Lostfish’s heroines roam like wood nymphs, emboldened by their own reproductive powers; in one image depicting a human fetus within a pink oval, a foreboding reptilian creature seems to invade the womb, its grotesque navel in full view. In one painting, doll faces emerge in a group of six from blood red roses, reminiscent of biblical devil. These tempting, enchanting women dress in excess, giving themselves over to material pleasures. In Lostfish’s gorgeous imaginings the female is both delicate and demure, ravenous and dangerous. Take a look. (via HiFructose)