Packed within the four walls of a tiny 6 by 10 centimeter sardine can, the miniature characters created by sculptor Nathalie Alony for her project Home Sweet Home are both humorous and poignant. Arranged in a massive grid, the artist’s sardine can dioramas serve as a metaphor for the confined apartments in which we nest. These intricate figurines—men, women, children, beloved pets—each exist within the limits of their aluminum enclosure, building complex family and personal universes that seem to operate independently of the outside world. Despite the isolation of each piece, together Alony’s cans form a complex network that wakes and rests as a unified community, separated only by thin, delicate metal.
Like strange dollhouses, these precious sardine can apartments allow us to navigate and to find meaning in the rituals of domestic life. Much of the action portrayed here is banal: the routine laundering of children’s clothes, the checking off of days on a calendar, the painting of walls. When seen in miniature, intricately rendered by the artist’s masterful hands, mundane home improvement tasks become endlessly enthralling. Here, we can be voyeurs in the most innocent sense, entering the intimate confines of the homes of others with tender curiosity.
Alony’s brilliant little worlds capture the lonesomeness of modern living; seeing the fourth aluminum wall pulled back to reveal precious, private lives, we yearn for a similar intimacy in real life. A home, carved out lovingly from a tiny industrial box, contains all the secrets and wonders of families that are not our own. What goes on in the cherished homes of others? (via Junk Culture and Lost at E Minor)