There is a reason why Amy Bennett‘s paintings look like dioramas. In fact, it is part of her process to build miniature dioramas of various scenarios before the painting process begins. When completed, these miniature constructions are used as models for the pieces you see here. The paintings, she says, are “glimpses of a scene or fragments of a narrative. Similar to a memory, they are fictional constructions of significant moments meant to elicit specific feelings.”
This arduous process is perhaps a way to reconstruct the process of memory making itself. When we construct memories, we are feeling and living that specific moment. When we are trying to reenact or recall that memory, it all feels distant, blurry, and small. In this case, the painter’s initial construction (the physical building of the diorama) and re-constrution of it (trough painting) mirrors this process.
I am interested in storytelling over time through repeated depictions of the same house or car or person, seasonal changes, and shifting vantage points. Like the disturbing difficulty of trying to put rolls of film in order several years after the pictures have been taken, my aim is for the collective images to suggest a known past that is just beyond reach.
(via Amusing Planet)