In the photographic works by Kevin Corrado, human limbs and objects intersect with the landscape. They are painted over, dipped, and blend in the with the horizon line. The series entitled Transfer best showcases this idea as different hands are encased in varying colors of paint. Corrado talks about how this is not only a connection made design-wise, but our notions about the things we see. He writes:
The project began as a playful idea of the ocean being a giant sea of blue paint rather than water. The idea of a blue sea is so engraved into our minds, even though in most cases, water is not actually blue. In all three pieces, a hand becomes covered in paint by touching a landscape of that color. In its entirety, the project speaks about our intense connection between common landscapes and their assigned colors. Possibly something that was instilled in us during our elementary days. The project also addresses my role as an artist, and what color I will choose for my landscapes, even though my tool of choice is a camera (a tad bit ironic). A painter is given the task to paint a tree, but that painter must choose to use green paint.
The quietly compelling images play with our sense of scale; hands are huge, looking like giants and whose veins appear large enough to line up with the choppy waves. (Via Slow Art Day)