Portland painter Alexandra Becker-Black is talented beyond her years. Her paintings, soft-spoken and carrying the nearly absent weight of a shadow, illuminate the body in its pure and natural state. Becker-Black has a sophisticated approach in utilizing negative space to its full potential, creating an atmosphere that the body seems to emerge out of, in an ethereal, ghostly way; as if called forth. Perhaps due to her strong yoga practice, Becker-Black incorporates many yoga poses into her work, featuring women twisting their bodies elegantly in pose. A revolving theme of flight and birds is woven into most of her imagery; birds soaring overhead or perched on top of the figures. An allusion to freedom and flight; or pushing ones self to points of self actualization. Taken from Becker-Black’s website, this analysis by Shu-Ju Wang is an excellent summary of her work:
“Once recorded, she works with the still images but continues to purge from the already naked form, choosing only what she needs and adding only what is absolutely necessary. You see muscles tense and strain against gravity; you see figures in serene repose; you see energy suddenly released when a small flock of birds fly out of a woman’s opened hands. All of this is conjured up in front of your eyes even as a torso fades to gray or a leg disappears, creating work that is ethereal and luminously beautiful, haunting, evocative and complex.”
The way the tones and color melts away brings peace to the otherwise strained poses and moods that the figures themselves are experiencing. The implied motion is a driving force for the notion of change and evolution. Always moving forward, the beauty on the canvas in direct correlation to the act of living, breathing, being.
(Excerpt from Source)