Raffaello Ossola vibrant dramatism and invented landscapes create an exciting space for the viewer to explore and ponder. Each one offers an opportunity to imagine yourself in his universe, wandering through mazes or floating around trees. Although Ossola takes liberties with his compositions, ultimately they retain the verticality/gravity that we are familiar with. Where he leaves the laws of our world more readily are in his pools. They seem to be reflecting a cloud, moon, or other objects in the sky, but the eye reads it more as if the elements mentioned are situated in an environment within the water. The surface of the water appears more like a penetrable glass casing than a body unto itself. It’s mesmerizing to see.
Though most of his paintings don’t contain living creatures, occasionally Ossola will include a part of or even a whole figure, bug, or animal. His ability to render invented landscapes is more convincing than these living subjects, but it’s an interesting attempt. Sometimes the living creatures break the illusion of the scene, and they tend not to engage with the environment in a very natural way. On the other hand, these environments are very barren to begin with, and it may be for this reason that living creatures appear foreign or perturbing in some way. I enjoy the idea of seeing a person trying to scramble up the side of a tilting pool or interacting with the glassy water. I know also, though, that it might set stricter boundaries for my own imagination and experience of the paintings.
Visit his website to see his more recent maze paintings. (Via Melt)