In his new show “My God” Qiu Minye presents us with a new way of seeing. Well, he at least offers us a new way of experiencing objects and the recording of those 3-dimensional things with photography. By painting with light, Minye has suggested different forms of objects that could be real, and then photographed them, resulting in haunting, iridescent, airy images. Whether it is an outline of several figures huddled together watching something in the distance, or an ambiguous geological shape, mythological creatures or floating forms of babies, these snapshots all belong to another space and time.
Minye’s playful images all have a gracefulness to them, and more than most photographs seem to have successfully frozen a moment in time. By removing any fussy details (whether it is light, shadow or color) that may anchor an object in the mundane, he has elevated the idea of the object/subject to something majestic and mystical. The fish for example seems to spitting sparks of fire and is caught in an ethereal state – in a way we don’t see our everyday fish. Minye has managed to capture some sort of life force or see-able movable energy and it is a very calming thing to witness. He has a very existential approach to his art. He poses numerous questions when speaking about his past photographic projects:
What part of humanity is lost in time? How can we transform these moments into eternity? There are always two worlds, the world of yesteryear that has collapsed and the real world. Here, it is to travel between the two. (Source)
Minye seems to be coercing a particular response out of his audience – suggesting we look at the things surrounding us in an abstract, philosophical way – where it’s more about the idea of the thing rather than the tangibility of it. (Via Designboom)