Lisbon based graffiti artist Odeith has a very specific talent – one he has refined since picking up his first spray can in the mid 1980s. He has a unique way of using only paint on flat walls to create amazing eye-popping 3D effects that seem to float in between surfaces, or jump out from corners. He earned his chops in the 90’s mostly bombing on train tracks and street walls, until he started noticing large scale murals around the place, and wanted to follow suit – to paint something with a message. Slowly his murals began growing more ambitious in size, and more detailed.
Early on, [Odeith] showed a special interest in perspective and shading, in an obscure style, which he later called “sombre 3D”, where the compositions, landscapes or portraits, messages or homages, stood out for their realism and technique. (Source)
After deciding to shut his tattoo parlor in 2008, he dedicated all of his time to graffiti art and eventually gained international recognition, in particular for his optical illusions and anamorphic graffiti. But that’s not to say Odeith is a one trick pony, or only limited to spraying his name with different effects. He also paints large homages and portraits of musicians, actors, politicians, as well as film scenes, commercial billboards, banners for football clubs and murals for Portuguese city halls. He has created artwork for London Shell, Kingsmill, the Coca-Cola Company, Estradas de Portugal, and Samsung.
Odeith talks about his success and having to have confidence in ideas that seem unsuccessful at first:
If [you] want to put your name on top, you need to work, no matter what people say, you need to believe [in] yourself. After years thinking [about] what I could do different[ly] I start[ed] with that crazy anamorphic idea, and it worked well. (Source)