Chen-Dao Lee paints highly stylized pop images that are a kind of Taiwanese version of a Quentin Tarantino neo-noir film. Painted in candyfloss pinks, reds and blues, his work borders on anime, or a kind of twisted superhero comic. His subjects are powerful women (and peculiar men) who have a cynicism, sexuality and also a sickly sweetness about them. Posed together, armed with guns and wearing frilly socks and high heels, or engaged in a semi-erotic masked wrestling fight, Lee’s characters are contemporary individuals, expressing the whole spectrum of emotions.
In his recent series, Lee has shifted from depicting a logical scenario in his paintings to focusing on the figures entanglement to describe emotions or relationships which are ambiguous, embarrassing or even helpless. Beautiful young women and fallen heroes frequently appear in Lee’s works as a symbol of the projection of modern people’s inner contradictions. (Source)
With titles like Cat fight – Love Kick, Boss, Not The Hero Type, Valentine, BFF, Lee embraces a kind of feminism with a dark sense of humor. He paints scenarios loaded with sexual innuendo, but instead of them being erotic, or about power plays, he focuses on ennui. The women (and men) show a lack of enthusiasm and engagement, but rather a nonchalance about what ever is going on around them.
His past series have included paintings of women guiltily carrying loads of fast food, indulgent night life scenes with money being tossed around, strange card nights, groups of men eating sushi off a blow-up doll, and overweight men with bad tan lines wearing cute costume masks. Lee is able to blend sarcasm, skepticism and empathy to create instant modern day classics. (Via Illusion Scene)