Full of expressive, wild colorful brushstrokes and heavy layering and textures, Philip Hinge puts on a show of his playful sense of humor and confidence. Intentionally flirting with the line between ‘good art’ and ‘bad art’ in his exhibition Don’t Look Now, he approaches his subjects with a unique sensibility. Hinge paints anything from blow up dog balloons, to rock stars dressed in bridal gowns, to mermen sunbathing and boys greedily stuffing their faces with spaghetti. Choosing banal subjects and turning them into something special and surprising is his talent.
Contextual ambiguity abounds in Hinge’s work, allowing his paintings to express a subtle anxiety that is felt rather than seen. At the same time, by ironically appropriating sources as diverse as everyday kitsch, science fiction, and the canons of art history, Hinge lampoons widely-accepted tropes of high art. (Source)
Hinge manages to break down some of the traditional and existing boundaries within the painting (and greater art) world. And while his technique and style may seem primitive, his subject matter adds a subtle layer of complexity to his work. His past series include I Am The Black Wizards – an amusing look at the death metal community and the stereotypes that go with it. He has rockers stabbed with knives, swords and clubs, gripping their legs in pain, and tough guys wearing witches hats and capes, pinned to a wire fence. His light-hearted approach to certain social taboos is a refreshing thing to see.