Jan Fabre is an innovative visual artist whose works explore the realms of psychology, anatomy, and metamorphosis. Throughout his career, Fabre has been particularly fascinated by the human brain—the seat of cognition, and arguably, the spirit—and the way neurobiology intersects with the heart. He studied the brain for over ten years, working in dialogue with neurobiologist Giacomo Rizzolatti. Wondering about the brain’s role in the experience of emotion and empathy, Fabre asks himself and his viewers, “Do we feel with our brains and think with our heart?”
Featured here is a series of Fabre’s Carrara marble brain sculptures, each one bearing surprising elements; insects crawl across the veined surfaces, and scissors and corkscrews protrude in a macabre flare of the surgeon’s table. Fabre experienced being in a coma twice in his life, which caused him to explore the brain as an eerie, post-mortem state (Source). As a result, death is present throughout these works; the brains stand as white monuments not only to our mortality, but to our statuses as both individuals and interconnected human beings. Following this theme, Fabre has also sculpted marble bodies resting on tombs, similarly adorned with insects, which represent the transmutation of the physical and spiritual, life and decay.
Fabre’s work will be exhibited at the Deweer Gallery in Otegem, Belgium, from November 4th–December 20th, 2015. Titled 30 Years / 7 Rooms, the show features Fabre’s decades-long collaboration with Mark Deweer. (Via Hi-Fructose)