Brooklyn based artist Russel Cameron creates lifelike sculptures of amputated human body parts. Displayed almost like trophies, Cameron’s on gong series, Flesh and Bone, acts like a collection of the living bizarre. Using classic materials such as clay, paint, wood, and metal, Cameron, a self taught artist, is able to perfectly achieve the goal of many artists: he attains the ability to accurately mimic human flesh. This handiwork allows his work to truly provoke, probe and disturb; each piece acts as a slight ode to the abnormal, forcing the viewer to imagine the the entire creature attached to the individualized parts. The details are what allow the work to feel so real — his minor hints of flesh tonality and careful placement of wrinkles and creases give enough information to perhaps create a full narrative for every piece. His work is influenced by artists specializing in dark and fantastical subject matter such as Zdzislaw Beksinski, the Polish dystopian surrealist painter, Hieronymus Bosch, the Dutch painter known for his detailed absurd landscapes, and H.R. Giger, the Swiss “biomechanical” surrealist painter and special effects artist known for Alien. He also takes inspiration from classicists such as the infamous Spanish romanic painter Francisco Goya. Through his work, Russel Cameron aims to glorify the beauty in what can be often found as grotesque.