Artist Peter Combe transforms household paint swatches to create stunning 3D portraits. Using the full color spectrum of 1,100 colors, the artist prepares his palette material by manipulating the swatches either into tiny discs by punching or miniature strips by shredding. He often works in series of repetitions, allowing him to recreate the same image with the aim of experimentation. The potential of each renderings is endless as he uses color based on tonality and not on hue and can transform each work quite drastically depending on his choices. Combe is interested in “how the implementation of a single colour, when applied to a small incremental tonal range, can transform a work either subtly or substantially.” His work, formulated through an intense and meticulous layering process, can be compared to a pointillistic method of translating color, tone, and space. His work is also reminiscent of early printers, xerox and copy machines, in which images are built through a separation of color, resolving the picture one hue at a time. Another aspect of the work, Combe explains, “is the constant change and flux that is mostly produced by the viewers changing vantage points, an effect that is difficult to imagine whilst not being present before the work. These artworks do not photographer well. It is Impossible to capture the kinetic element – an element whereby the viewer’s motion or movement dictates the artworks transformative component.” There is a notion of fleeting reality when experiencing the work— just as each portrait is in of itself physically fragile — each image, as it becomes manipulated through movement, light, and space, becomes precious, as the viewers’ experience of the work is consistently shifting, making every interaction with the work unique.