This Wednesday, The Journal Gallery in Brooklyn opens a solo exhibition from German photographer Juergen Teller. The series on display, Irene im Wald (Irene in the Forest), focuses on the forest near Teller’s childhood home in Nuremberg and includes meditative exterior and interior shots that often feature his mother (Irene). Quiet and peaceful, the photos are a perfect introduction to autumn.
A monograph of the series is being released concurrently with the exhibition as a supplement to the journal 32, which is definitely worth picking up.
All images courtesy of the artist, Lehmann Maupin Gallery, New York, and The Journal Gallery.
Deep Fried Gadgets is a recent series from Brooklyn photographer Henry Hargreaves. For the shoot, Hargreaves fried foam reproductions of popular tech gadgets like Ipads and Gameboys. Aside from drawing on the perverse joy of destroying expensive things, the series provides a nice commentary on sustenance, technology, and our current value system. Tasty. Click past the jump to see more Deep Fried Gadgets. (via)
Nice outdoor work from mysterious artist 2501. Applying undulating zebra marks all over the place, his style flows nicely from piece to piece, whether he’s doing a huge scene involving horse-riding bandits or understated characters intriguingly placed within the landscape. It seems he’s moving more and more toward a black and white direction this year, and the resulting high levels of contrast produce a nice dynamic between the walls and their surrounding environments. Click past the jump to see more street work and head over to the artist’s site for works on canvas as well.
Brooklyn artist Christian Maychack has put together a solo exhibition entitled Flats which opens TONIGHT at Jeff Bailey Gallery (625 West 27th Street, Manhattan) and runs through October 6th. This is the artist’s third solo show with the gallery and it looks absolutely amazing. Wood, epoxy, clay, and pigment come together in swirling compositions with really unique textures. Maychack recently received a painting fellowship from the New York Foundation for the Arts. Looks like he deserves it. See more work from Flats after the jump.
Gruesome take on portraiture and the still life from Chicago-based artist Gregory Jacobsen.
I paint figures, focusing on the little bits that obsess me…a little flab hanging over a waistband, ill-fitting shoes, underbites and exciting flags held in dainty orifices. Over the years this work has developed into piles…meat, junk and fruit constructed into heroic yet pathetic towers spattered with gloppy sauce. The work is absurd, grotesque and a bit brutal but I try to bring the viewer in with lush and glowing surfaces. Essentially the work is about human failure and weakness groomed and developed to be an asset.
Jacobsen is currently showing a large number of new paintings at Zg Gallery in Chicago. Definitely worth a look if you’re out that way. Click through to see more. So good.
Eric Yahnker‘s first NYC solo show, Virgin Birth ‘N’ Turf, is being held at The Hole, the two-year-old Bowery space that picked up some of the pieces left when Jeffrey Deitch changed coasts. The show, which opens tomorrow night, is looking like quite the banger. Some HUGE (10 ft.) drawings will be on display in addition to sculptural and installation works. See more from Virgin Birth ‘N’ Turf after the jump, and if you’re looking to get even more hyped on the Los Angeles artist, watch our video interview with him from last year.
Tasty illustration work from Melbourne artist Annita Maslov. You gotta love the pen and paper approach. It’s so direct- you can almost feel the labor involved in every calculated line and stippled shadow. And Maslov’s subject matter fits well with her inky media of choice. Dark and brooding, the images sort of require drawing’s organic touch to stave off a cold, disconnected vibe. I’m pretty sure things would turn out okay if I never saw a vector skull presented as “art” again. If you’re doing stuff like this, then, well, do it like this. Please.
These are real legos. Nathan Sawaya works with the popular toy to create large-scale figurative sculpture. Legos’ shatter-prone tendencies and the plastic material involved lend a fractured, modern quality to these. The cold geometry involved in each sculpture sets up a nice opportunity for reflection, and Sawaya’s emotional posing of the figures spurs even further questioning.
But the sculptures work just as well when taken at face value: legos were, and are a lot of fun to play with.
Lately, Sawaya’s been placing 15-inch “Hugmen” in various public spaces (see above), adding a little love to the daily grind. Click past the jump for more lego sculpture.